Gli ultimi fuochi

After reading the book (and Fitzgerald's notes about how he saw the story progressing) I expected high quality from Kazan's film treatment. Much has been made of his decision to have an almost comatose Monroe Stahr, unable to express emotion on anything but movies, and in this I think he partly succeeded. But the film as a whole irritates me. It's one I've gone back to several times and I can't work out why it has that effect. It just does. In relation to the book, some scenes are pretty much verbatim, some are added to, some are ditched altogether, there just seems no reasoning behind it. The plusses - it has an interesting ending and an equally interesting supporting cast of old timers, most of whom are always worth watching. It has a certain amount of style and character of its own. It's just not that easy to enjoy, IMO.