VALUTAZIONE IMDb
6,9/10
22.379
LA TUA VALUTAZIONE
Durante un viaggio in treno a lunga distanza, un uomo trova romanticismo ma si trova anche in pericolo di essere ucciso, o almeno spinto fuori dal treno.Durante un viaggio in treno a lunga distanza, un uomo trova romanticismo ma si trova anche in pericolo di essere ucciso, o almeno spinto fuori dal treno.Durante un viaggio in treno a lunga distanza, un uomo trova romanticismo ma si trova anche in pericolo di essere ucciso, o almeno spinto fuori dal treno.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 4 candidature totali
Delos V. Smith Jr.
- Burt
- (as Delos V. Smith)
Mathilda Calnan
- Blue-Haired Lady
- (as Matilda Calnan)
Margarita García
- Mexican Mama-San
- (as Margarita Garcia)
Trama
Lo sapevi?
- QuizOriginally meant to be filmed in the United States. However, the National Rail Passenger Corporation (Amtrak) was fearful of adverse publicity, and refused to cooperate. As a result, the producers were forced to work with the Canadian Pacific Railway, using thinly disguised CPRail equipment and shooting exteriors along the CP Rail right-of-way.
- BlooperAs George and Grover arrive in "Kansas City," a long shot of the city clearly shows the Calgary Tower, a unique and unmistakable landmark with no equivalent in Kansas City.
- Citazioni
George Caldwell: You stupid, ignorant son of a bitch, dumb bastard. Jesus Christ. I've met some dumb bastards in my time but you outdo them all.
- Versioni alternativeWhen Silver Streak was first shown on TV, it had scenes that were not in the home video version, such as:
- There's an extra scene of George and Rita talking. She inquires as to if he was riding hobo on the train.
- A longer scene of Rita and George taking off in the airplane.
- At the beginning when George arrives at the train station, the taxi driver comments that since George is going from Los Angeles to Chicago and a train that he must be a sucker for boredom.
- A scene where the Silver Streak is pulling into the Kansas City station, which takes place right before Grover and George rush in.
- ConnessioniEdited into Professione pericolo (1981)
Recensione in evidenza
Most people remember Gene Wilder as the frazzled haired wild man in such Mel Brooks classic films as THE PRODUCERS, BLAZING SADDLES and YOUNG FRANKENSTEIN. Others will recall him as the mad genius that held our attention in WILLY WONKA AND THE CHOCOLATE FACTORY, but there was a 3rd phase to Wilder's career - his unlikely partnership with Richard Pryor - that started with 1976's SILVER STREAK.
Set aboard the titular passenger train, SILVER STREAK is part Alfred Hitchcock "wrong man" suspense thriller, part comedy and part action flick with strong performances at the center anchoring the action.
Surprisingly, Wilder brings a sincere quality to his "everyman" hero of this tale. His book editor, George Caldwell, just wants a quiet 2 1/2 day trip on the train from Los Angeles to Chicago. You root for George from the start. Wilder's performance is deftly tailored to this movie, keeping a lid on his more frenetic energy that helps keep his character grounded. He pairs nicely with Jill Clayburgh (remember her from the '70's?) as a women he meets (and falls in love with) along the way. Clayburgh burst into the spotlight with this performance - and the 2 have tremendous chemistry together.
They are joined by a bevy of wonderful character actors - Ray Walston, Richard "Jaws" Kiel, Ned Beatty, Clifton James, Valerie Curtin, Fred Willard and the great Scatman Crothers. All bring life and energy to this film. Patrick McGoohan is perfectly cast as the villain of the piece. His "buttoned-up" bad guy is the perfect balance to the Wilder's character.
But, of course, the person who steals this film is the great Richard Pryor as Grover T. Muldoon, a petty thief, con-man and "street-wise" hood who aids George in defeating the bad guys. Pryor doesn't show up in this movie until about 1/2 way through, but when he does, the energy (and pace) of this film picks up considerably and the roller coaster ride begins. The comedic partnership between Wilder and Pryor is magnificent, they play off each other very well and they will end up pairing together in 3 other films after this.
Director Arthur Hiller (THE AMERICANIZATION OF EMILY) does a strong, professional job of keeping the movie moving, keeping events grounded until a thrilling conclusion that is satisfying, indeed.
A fun action-thriller that is perfect summer fodder.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Set aboard the titular passenger train, SILVER STREAK is part Alfred Hitchcock "wrong man" suspense thriller, part comedy and part action flick with strong performances at the center anchoring the action.
Surprisingly, Wilder brings a sincere quality to his "everyman" hero of this tale. His book editor, George Caldwell, just wants a quiet 2 1/2 day trip on the train from Los Angeles to Chicago. You root for George from the start. Wilder's performance is deftly tailored to this movie, keeping a lid on his more frenetic energy that helps keep his character grounded. He pairs nicely with Jill Clayburgh (remember her from the '70's?) as a women he meets (and falls in love with) along the way. Clayburgh burst into the spotlight with this performance - and the 2 have tremendous chemistry together.
They are joined by a bevy of wonderful character actors - Ray Walston, Richard "Jaws" Kiel, Ned Beatty, Clifton James, Valerie Curtin, Fred Willard and the great Scatman Crothers. All bring life and energy to this film. Patrick McGoohan is perfectly cast as the villain of the piece. His "buttoned-up" bad guy is the perfect balance to the Wilder's character.
But, of course, the person who steals this film is the great Richard Pryor as Grover T. Muldoon, a petty thief, con-man and "street-wise" hood who aids George in defeating the bad guys. Pryor doesn't show up in this movie until about 1/2 way through, but when he does, the energy (and pace) of this film picks up considerably and the roller coaster ride begins. The comedic partnership between Wilder and Pryor is magnificent, they play off each other very well and they will end up pairing together in 3 other films after this.
Director Arthur Hiller (THE AMERICANIZATION OF EMILY) does a strong, professional job of keeping the movie moving, keeping events grounded until a thrilling conclusion that is satisfying, indeed.
A fun action-thriller that is perfect summer fodder.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
- bankofmarquis
- 6 giu 2020
- Permalink
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Dettagli
Botteghino
- Budget
- 6.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 51.079.064 USD
- Lordo in tutto il mondo
- 51.079.064 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Proporzioni
- 1.85 : 1
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