The Psychic finds Italian film-maker Lucio Fulci in a decidedly more restrained mood. Never a director to shy away from excessive sex and violence, this entry in his cannon is far more an exercise in suspense with a real focus on presenting an interesting mystery. There is an early scene where a character falls off a cliff resulting in their face being bloodily shredded by rocks as they fall - basically a scene repeated from Fulci's earlier giallo classic Don't Torture a Duckling (1972) – but apart from this, there is no real excessive blood-letting at all. The story is essentially about a psychic woman who experiences premonitions about mysterious murders, before long she finds herself in the midst of a dangerous situation.
The atmosphere of this one generates a real sense of dread. This is mainly on account of the quite distinctively structured mystery that underpins the story-line. The mixing of visions of the past and events yet to come was clever. It means that there is a real sense of intrigue to this one, with lots of visual clues thrown at us that progressively make sense, while often setting us off to entirely the wrong conclusion. It's a jigsaw puzzle of a movie and this is a very nice touch. Because it came quite late in the giallo cycle I guess it was for this reason that it adopted a more original approach, mixing the standard tropes of the genre with a supernatural angle. Whatever the case, this is one of the better written and thought out story-lines from the sub-genre and what it lacks in visceral excess it does make up for with a well-conceived mystery. It benefits too from a good leading lady in Jennifer O'Neill who later starred in David Cronenberg's excellent sci-fi/horror Scanners (1981). In addition it also features a Goblinesque score which was another nice touch.
