Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.
- Premi
- 1 vittoria e 4 candidature
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Trama
Lo sapevi?
- QuizDirector Dario Argento's original idea was that the ballet school would accommodate young girls no older than 12 years. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 years but did not rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads so they would have to raise their arms in order to open the doors, just like children.
- BlooperDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Citazioni
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Curiosità sui creditiYou have been watching "SUSPIRIA"
- Versioni alternativeThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- ConnessioniFeatured in Ling ye (1981)
- Colonne sonoreMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
Recensione in evidenza
American ballet student Jessica Harper (as Suzy Banyon) goes to study at a European dance academy, where grizzly murders and hungry maggots reign supreme. "The Tanz Academy" is fronted by elegant Joan Bennett (as Madame Blanc), with stern Alida Valli (Miss Tanner) well-suited, as head teacher. Chief among the young leotard set is Ms. Harper's relatively long-lived pal, lovely Stefania Casini (as Sara). As hair-raising events continue, Harper begins to suspect a coven of witches may have infested the dance Academy.
The storytelling part of "Suspiria" is relatively weak, with events unintentionally serving to lesson the dramatic impact of the horror. The superb opening scenes, for example, are never really improved upon. Interesting characters are underdeveloped, and should have been more cleverly woven into the plot. Despite its haphazard script, and some obvious budget restraints, director Dario Argento's "Suspiria" remains an excellent film.
Mr. Argento's innovative, imaginative direction is the film's greatest strength. His cutting edge camera sense is often striking; and, the color photography, with Luciano Tovoli, is illuminating. The sharp soundtrack music, by the appropriately named "Goblin" band, is reminiscent of Mike Oldfield's "Tubular Bells". Ms. Bennett and Ms. Valli are a treat. The usually underutilized Bennett is especially noteworthy, in her only post-"Dark Shadows" feature film appearance.
Bennett accepted the project on the strength of the director's reputation, and a chance to visit Rome. When "Suspiria" appeared in the USA, she received some unwarranted poor notices, and professed dissatisfaction with the film's violent content. Still, Bennett was "Saturn Award"-nominated as 1978's "Best Supporting Actress" for her work. Bennett duplicitously gives the "Madame Blanc" character just the right amount of respectability, or "class"; she keeps her Academy dancers enrolled, and helps hold the slim story together.
******* Suspiria (1977) Dario Argento ~ Jessica Harper, Joan Bennett, Alida Valli
The storytelling part of "Suspiria" is relatively weak, with events unintentionally serving to lesson the dramatic impact of the horror. The superb opening scenes, for example, are never really improved upon. Interesting characters are underdeveloped, and should have been more cleverly woven into the plot. Despite its haphazard script, and some obvious budget restraints, director Dario Argento's "Suspiria" remains an excellent film.
Mr. Argento's innovative, imaginative direction is the film's greatest strength. His cutting edge camera sense is often striking; and, the color photography, with Luciano Tovoli, is illuminating. The sharp soundtrack music, by the appropriately named "Goblin" band, is reminiscent of Mike Oldfield's "Tubular Bells". Ms. Bennett and Ms. Valli are a treat. The usually underutilized Bennett is especially noteworthy, in her only post-"Dark Shadows" feature film appearance.
Bennett accepted the project on the strength of the director's reputation, and a chance to visit Rome. When "Suspiria" appeared in the USA, she received some unwarranted poor notices, and professed dissatisfaction with the film's violent content. Still, Bennett was "Saturn Award"-nominated as 1978's "Best Supporting Actress" for her work. Bennett duplicitously gives the "Madame Blanc" character just the right amount of respectability, or "class"; she keeps her Academy dancers enrolled, and helps hold the slim story together.
******* Suspiria (1977) Dario Argento ~ Jessica Harper, Joan Bennett, Alida Valli
- wes-connors
- 15 nov 2008
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 47.000 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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