VALUTAZIONE IMDb
6,6/10
1181
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn protest of forced conversion to Islam, the Ceddo (outsiders) kidnap King Demba War's daughter Princess Dior Yacine and hold her hostage.In protest of forced conversion to Islam, the Ceddo (outsiders) kidnap King Demba War's daughter Princess Dior Yacine and hold her hostage.In protest of forced conversion to Islam, the Ceddo (outsiders) kidnap King Demba War's daughter Princess Dior Yacine and hold her hostage.
- Premi
- 1 vittoria e 1 candidatura
Tabata Ndiaye
- Princess Dior Yacine
- (as Tabara Ndiaye)
Ismaila Diagne
- The Ceddo Kidnapper
- (as Mamadou N'Diaye Diagne)
Mamadou Dioumé
- Prince Biram Ngone Thioub
- (as Mamadou Dioum)
Omar Gueye
- Jaraaf the King's Mediator
- (as Oumar Gueye)
Trama
Lo sapevi?
- QuizBanned by the Senegalese government for several years, likely for the unflattering portrayal of Islam. The official reason given was that the title was incorrectly spelled in a European fashion.
- BlooperThe action sets at the end of seventeenth century but the umbrella over the imam, when he is on the throne, is clearly contemporary.
- Colonne sonoreChoir
(in Diola language)
Interpreted by Chorale Saint Joseph de Cluny - Dakar
Conducted by Julien Juga
Recensione in evidenza
It's some time .... well, it looks like it's early 19th century, but there are lots of outliers in garb. There are new folks around, and the slave-traders, Christians and a short Muslim imam are competing for dominance. The king has turned Muslim and orders everyone to convert, but the Ceddo, traditionalist animists not only resist, but kidnap the royal princess. There's a council in which claimants argue over who gets to rescue her, but the guy guarding her has no problem with them.
It was banned by Senegal because it wasn't respectful of Islam. To my eye, it didn't like anyone.
It's a little slow, although whether because director Sembene had a lot of things to say and felt a need to pound them into the audience, or because he wished his audience to be annoyed with all his characters, I cannot say. Sembene directs this one with a strong composition. In my review of his earlier SEMITAI, I noted that his compositions were loose, more groupings by color than framing. With this movie, he moves in the opposite direction, rarely using the entire frame, but clearly marking off the portion he wanted to use.
It was banned by Senegal because it wasn't respectful of Islam. To my eye, it didn't like anyone.
It's a little slow, although whether because director Sembene had a lot of things to say and felt a need to pound them into the audience, or because he wished his audience to be annoyed with all his characters, I cannot say. Sembene directs this one with a strong composition. In my review of his earlier SEMITAI, I noted that his compositions were loose, more groupings by color than framing. With this movie, he moves in the opposite direction, rarely using the entire frame, but clearly marking off the portion he wanted to use.
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