VALUTAZIONE IMDb
6,2/10
12.736
LA TUA VALUTAZIONE
Una famosa fotografa di moda scopre di avere il potere di vedere attaverso gli occhi di un assassino.Una famosa fotografa di moda scopre di avere il potere di vedere attaverso gli occhi di un assassino.Una famosa fotografa di moda scopre di avere il potere di vedere attaverso gli occhi di un assassino.
- Premi
- 1 vittoria e 2 candidature totali
Raul Julia
- Michael Reisler
- (as R.J.)
Trama
Lo sapevi?
- QuizFirst major studio film of Writer/Director/Composer John Carpenter, who wrote the film's screenplay, which was originally titled "Eyes".
- BlooperWhen the killer kicks in the metallic door to Laura's bedroom, dents/footprints in the door from previous takes of this shot are visible.
- Citazioni
Laura: I can't understand... how it's possible... to live your whole life... without someone... and be doing more or less OK. And then suddenly you find them.
John Neville: You recognize them.
Laura: You recognize them. And... you know without them...
John Neville: [whispered] It's terrifying.
Laura: Yes.
John Neville: [whispered] It's beautiful.
Laura: Yes.
- Curiosità sui creditiRaul Julia is billed simply as R.J. in the opening credits, but by his full name in the cast crawl at the end.
- ConnessioniFeatured in Visions (1978)
- Colonne sonoreLove Theme (Prisoner)
Sung by Barbra Streisand
Words and Music by Karen Lawrence & John Desautels
Produced by Gary Klein
Recensione in evidenza
Laura Mars (Faye Dunaway) is a celebrated fashion photographer. She is haunted by visions from a killer's eyesight. At her gala, she encounters police detective John Neville (Tommy Lee Jones) who hates the photos of violence against semi-nude women without knowing it's her. Those around her are killed and Neville investigates. Her pictures seem to mimic real crime scenes. Tommy Ludlow (Brad Dourif) is her driver. Donald Phelps (René Auberjonois) is her manager. Michael Reisler (Raul Julia) is her possessive ex-husband.
The killer's vision needs better consistency. It's mostly first person POV except sometimes it goes up to the murder weapon. It becomes more traditional but it needs to stay with the first person POV. Otherwise, it's a nice premise and the visual mostly works. It has blood and gore but like the photos, they are too stagey. The first thing that caught my eye is the writing credit for John Carpenter. This is pre-Halloween by a couple of months. If it somehow got released after Halloween, I'm sure they would have promoted Carpenter's script to death and it would be an even bigger hit. The great cast is doing good work. There is a twist that seems more for twist's sake. This is a nice middling mystery thriller although the pacing is not always that thrilling.
The killer's vision needs better consistency. It's mostly first person POV except sometimes it goes up to the murder weapon. It becomes more traditional but it needs to stay with the first person POV. Otherwise, it's a nice premise and the visual mostly works. It has blood and gore but like the photos, they are too stagey. The first thing that caught my eye is the writing credit for John Carpenter. This is pre-Halloween by a couple of months. If it somehow got released after Halloween, I'm sure they would have promoted Carpenter's script to death and it would be an even bigger hit. The great cast is doing good work. There is a twist that seems more for twist's sake. This is a nice middling mystery thriller although the pacing is not always that thrilling.
- SnoopyStyle
- 2 dic 2017
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Gli occhi di Laura Mars
- Luoghi delle riprese
- Columbus Circle, Manhattan, New York, New York, Stati Uniti(photo shoot with cars on fire)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.000.000 USD
- Lordo in tutto il mondo
- 20.000.000 USD
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