VALUTAZIONE IMDb
6,2/10
4135
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young nurse who's just started working at a public clinic begins to suspect that a comatose young man may possess the powers of psychokinesis.A young nurse who's just started working at a public clinic begins to suspect that a comatose young man may possess the powers of psychokinesis.A young nurse who's just started working at a public clinic begins to suspect that a comatose young man may possess the powers of psychokinesis.
- Premi
- 2 vittorie e 4 candidature
María Mercedes
- Nurse Panicale
- (as Maria Mercedes)
Gillian Seamer
- Nurse
- (as Gillian Seemer)
Trama
Lo sapevi?
- QuizWhen released in America, the film was edited down for time, and the voices of the entire cast were dubbed by other actors (with the exception of Susan Penhaligon as her contract included a dubbing clause, allowing her to loop her lines with an American accent). This angered Robert Helpmann so much that he attempted to take legal action against the US distributors.
- BlooperAfter the doctor attempts to give Patrick a lethal injection, he is hit in the head by a potted plant. Immediately after this, he picks up a chair to strike Patrick and is thrown back against the wall, which is shown to bounce back.
- Citazioni
[to Kathy Jacquard who is applying for a job as a nurse]
Matron Cassidy: Why did you choose the Roget Clinic, Mrs. Jacquard? We tend to attract certain types - lesbians, nymphomaniacs, enema specialists..."
- Curiosità sui creditiThe end credits play over Patrick lying in his hospital bed with his eyes open.
- Versioni alternativeOriginal Australian version features a music score by Brian May; European version was re-scored by Italian rock group Goblin, partly using outtakes from their score for a TV series for director Dario Argento.
- ConnessioniFeatured in Snapshot (1979)
Recensione in evidenza
Following the success of Brian De Palma's 'Carrie' in 1976, movies featuring psycho-kinetics became all the rage. In 1978, Hollywood cashed in with 'The Fury' (also by De Palma) and the Richard Burton vehicle 'The Medusa Touch'; US TV gave us 'The Initiation of Sarah'; and even Disney got in on the act with 'Return from Witch Mountain'. Meanwhile, in Australia, director Richard Franklin joined in the craze with his creepy, offbeat chiller 'Patrick'.
Susan Penhaligon stars as Kathy Jacquard, a pretty nurse who discovers that her new comatose patient Patrick (Robert Thompson) is not only capable of communicating via psychokinesis (and the occasional bit of spitting!), but is also able to kill. As Patrick gradually begins to fall for Kathy, any other man hoping to get close to her automatically becomes a target of his awesome mental powers.
To feature a malign character who spends 99.9% of the film's running time absolutely motionless, staring into space, is an unusual, but very effective idea, and one that director Franklin cleverly uses to crank up the tension: his audience know damn well that Patrick will move at some point in the film, but have absolutely no idea when it will occur (I jumped twice: first, when Patrick unexpectedly spits at his nurse, and... well... you'll definitely know the other moment when it happens).
There are those who may find the slow-burn approach of this movie a little laborious, but I loved its leisurely approachparticularly as it gave me time to fully appreciate the movie's more bizarre moments: Kathy's job interview, during which the hospital's Matron mentions that such a job attracts certain 'types' (lesbians, scoptophiliacs, necrophiliacs, zoophiliacs and enema specialists!!); two scenes in which frogs don't do so well (one has his brain smushed with a needle and another is eaten by a doctor); Kathy attempting to prove that Patrick can feel by giving him a little 'wrist action'; and repeated appearances by Patrick's 'neighbour', a crazy old man who wets himself.
7.5 out of 10, rounded up to 8 for IMDb.
Susan Penhaligon stars as Kathy Jacquard, a pretty nurse who discovers that her new comatose patient Patrick (Robert Thompson) is not only capable of communicating via psychokinesis (and the occasional bit of spitting!), but is also able to kill. As Patrick gradually begins to fall for Kathy, any other man hoping to get close to her automatically becomes a target of his awesome mental powers.
To feature a malign character who spends 99.9% of the film's running time absolutely motionless, staring into space, is an unusual, but very effective idea, and one that director Franklin cleverly uses to crank up the tension: his audience know damn well that Patrick will move at some point in the film, but have absolutely no idea when it will occur (I jumped twice: first, when Patrick unexpectedly spits at his nurse, and... well... you'll definitely know the other moment when it happens).
There are those who may find the slow-burn approach of this movie a little laborious, but I loved its leisurely approachparticularly as it gave me time to fully appreciate the movie's more bizarre moments: Kathy's job interview, during which the hospital's Matron mentions that such a job attracts certain 'types' (lesbians, scoptophiliacs, necrophiliacs, zoophiliacs and enema specialists!!); two scenes in which frogs don't do so well (one has his brain smushed with a needle and another is eaten by a doctor); Kathy attempting to prove that Patrick can feel by giving him a little 'wrist action'; and repeated appearances by Patrick's 'neighbour', a crazy old man who wets himself.
7.5 out of 10, rounded up to 8 for IMDb.
- BA_Harrison
- 18 feb 2008
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Patrick's Höllentrip
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 400.000 A$ (previsto)
- Tempo di esecuzione1 ora 45 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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