VALUTAZIONE IMDb
6,6/10
615
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBob Dylan on tour with the Rolling Thunder Revue in 1975; concert footage, documentary interviews and bizarre improvised character scenes.Bob Dylan on tour with the Rolling Thunder Revue in 1975; concert footage, documentary interviews and bizarre improvised character scenes.Bob Dylan on tour with the Rolling Thunder Revue in 1975; concert footage, documentary interviews and bizarre improvised character scenes.
- Premi
- 2 vittorie
Ruth Tyrangel
- The Girlfriend
- (as Ruth Tyrangiel)
J. Stephen Soles
- Ramon
- (as Steven Soles)
Trama
Lo sapevi?
- QuizThe film got many negative reviews, and some theaters refused to show it. Most theaters showed a two-hour cut that was mostly concert footage. The original four-hour director's cut was first shown on European television years later.
- Citazioni
The Truck Driver: Why are you so much in a hurry? Is the law after you?
Renaldo: I am the law!
- Curiosità sui creditiThe opening credits end with a title card reading "A Film by BOB DYLAN" directed after he is credited as writer and director. The closing credits are divided in three sections, separated by wide time gaps, played over a different artist, soul singer Hal Frazier, performing "In The Morning", a song written by Barry Gibb.
- Versioni alternativeOriginally released at 292 minutes (yes, that's almost five hours!). After dismal box office returns, Dylan shortened the film to 122 minutes removing almost all of the narrative storyline and leaving mostly concert footage.
- ConnessioniFeatured in Bob Dylan: Change on the Tracks (2008)
- Colonne sonoreWhen I Paint My Masterpiece
Written and performed by Bob Dylan
Recensione in evidenza
The drama of Renaldo and Clara, set against Bob Dylan's Rolling Thunder Revue of 1975-76.
Part concert film, part drama, part documentary Bob Dylan's 'Renaldo and Clara' is a sprawling, disjointed, puzzling affair. The concert stuff is great, as one would expect. Dylan's Rolling Thunder Revue was a fantastic musical experience coming off the back of Dylan's excellent 'Desire' and 'Blood on the Tracks' albums and featuring Dylan at his most spontaneous, dynamic and, in terms of live performances, creative. Dylan had a great backing band (that included Mick Ronson, David Bowie's long-time guitarist) and the Revue also included big names such as Joan Baez and Roger McGuinn, performances of whose are also shown in the film.
For a Dylan fan like myself the music alone should be enough to give this film a thumbs up.
Unfortunately, it's not. The music makes around a third of this four-hour film and the remainder is very weak. The Renaldo and Clara drama is all over the place with a bare semblance of a plot and no character development or engagement.
The documentary side has some interesting bits to it: the roadies setting up the stage, some of the other background aspects to the tour, but for the most part it is like the drama, an uninteresting meander.
I really don't know what Dylan and co-writer Sam Shepard were thinking while penning the script for this or Dylan was thinking while directing and editing this. With Dylan's mountains of creativity it's not a surprise that he turned his hand to film: it's the execution that's the problem.
My one thought is that is that Dylan's songs often consist of seemingly-disjointed, stream-of-consciousness imagery and narratives and he tried to replicate that in a four-hour film. It works in a song because it's short enough that you don't need a neat, complete story, the listener can add their own interpretations and there's music so the narrative isn't all that matters. None of these mitigations apply in a feature film.
Dylan would have been far better off just releasing this as a concert film - no attempt at drama. After the full-length version bombed he did release a two-hour, mostly-concert, version of this but by then it was too late as fans had already written it off.
Part concert film, part drama, part documentary Bob Dylan's 'Renaldo and Clara' is a sprawling, disjointed, puzzling affair. The concert stuff is great, as one would expect. Dylan's Rolling Thunder Revue was a fantastic musical experience coming off the back of Dylan's excellent 'Desire' and 'Blood on the Tracks' albums and featuring Dylan at his most spontaneous, dynamic and, in terms of live performances, creative. Dylan had a great backing band (that included Mick Ronson, David Bowie's long-time guitarist) and the Revue also included big names such as Joan Baez and Roger McGuinn, performances of whose are also shown in the film.
For a Dylan fan like myself the music alone should be enough to give this film a thumbs up.
Unfortunately, it's not. The music makes around a third of this four-hour film and the remainder is very weak. The Renaldo and Clara drama is all over the place with a bare semblance of a plot and no character development or engagement.
The documentary side has some interesting bits to it: the roadies setting up the stage, some of the other background aspects to the tour, but for the most part it is like the drama, an uninteresting meander.
I really don't know what Dylan and co-writer Sam Shepard were thinking while penning the script for this or Dylan was thinking while directing and editing this. With Dylan's mountains of creativity it's not a surprise that he turned his hand to film: it's the execution that's the problem.
My one thought is that is that Dylan's songs often consist of seemingly-disjointed, stream-of-consciousness imagery and narratives and he tried to replicate that in a four-hour film. It works in a song because it's short enough that you don't need a neat, complete story, the listener can add their own interpretations and there's music so the narrative isn't all that matters. None of these mitigations apply in a feature film.
Dylan would have been far better off just releasing this as a concert film - no attempt at drama. After the full-length version bombed he did release a two-hour, mostly-concert, version of this but by then it was too late as fans had already written it off.
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- How long is Renaldo and Clara?Powered by Alexa
Dettagli
- Tempo di esecuzione3 ore 55 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Renaldo e Clara (1978) officially released in Canada in English?
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