The BBC Television Shakespeare series is fascinating for seeing so many talented actors and seeing the plays, familiar and not so familiar, adapted and performed relatively faithfully on the whole. Some are better than others, with not every performance in the series working and there could be issues with low budget production values and in some productions stage direction.
When it comes to the best productions of the BBC Television Shakespeare series, to me 'The Second Part of King Henry the Fourth' is also among the best like the first part. The first part had more momentum perhaps, a few lapses in it later on here, but the character development is richer here, the drama just as poignant (that death scene, sob!) and the comedy even funnier, making the second part every bit as good. Even with excisions, the drama and action is still coherent and doesn't feel disjointed. Have enjoyed to loved most of the BBC Television Shakespeare performances though, but it was lovely again to see one of Shakespeare's best mixes of comedy and drama done so beautifully and those not familiar with it will find themselves educated.
It is visually a solid production with attractive enough costumes and sets that have authenticity, while not elaborate or lavish the action feels opened up and not confined. The use of music was lovely, couldn't question any of the placements and it is lovely music in its own right.
On a stage direction level, it is one of the main reasons as to why 'The Second Part of Henry the Fourth' is another one of the series' best. It is always absorbing, and it is agreed that it mixes both comedy, which is again very funny and often hilarious (not feeling overdone either), and drama, which is poignant. Not only because the energy is never lost, it's never static (even the more action-oriented scenes), it is always tasteful with no pointless touches and that it never resorts to overblown excess that swamps everything else.
Also because of the subtleties and the details, big and small, where the characters are so well fleshed out motivations are clear and everything seems to happen for a reason and not randomly. Although Henry is seen less here, his development is one of the most striking assets and is very believable, not rushed at all.
Jon Finch commands the title role beautifully and with remarkable nuance, never is there uneasiness. Even better is Anthony Quayle having the time of his life as Falstaff while David Gwillim is movingly conflicted as Hal, Hal's development is another high point. All the roles are well filled but especially these three.
To conclude, excellent and just as good as the first part. 9/10 Bethany Cox