VALUTAZIONE IMDb
6,4/10
5550
LA TUA VALUTAZIONE
Durante un tour in Italia, una cantante lirica americana rimasta vedova ha una relazione incestuosa con il figlio di 15 anni per aiutarlo a superare la sua dipendenza da eroina.Durante un tour in Italia, una cantante lirica americana rimasta vedova ha una relazione incestuosa con il figlio di 15 anni per aiutarlo a superare la sua dipendenza da eroina.Durante un tour in Italia, una cantante lirica americana rimasta vedova ha una relazione incestuosa con il figlio di 15 anni per aiutarlo a superare la sua dipendenza da eroina.
- Premi
- 1 vittoria e 2 candidature
Mustapha Barat
- Mustafa
- (as Stéphane Barat)
Sara Di Nepi
- Concetta
- (as Shara Di Nepi)
Jole Silvani
- Wardrobe Mistress
- (as Iole Silvani)
Trama
Lo sapevi?
- QuizThe Italian producers were so outraged by this film's story line that they forbid the director to shoot the film with a local cast and as such the roles played by Jill Clayburgh and Matthew Barry had to be changed to be Americans.
- Citazioni
Joe Silveri: Your face is a mess. I'll clean it up.
[starts licking her face]
Caterina Silveri: It's good.
Joe Silveri: Hold still.
- Versioni alternativeAfter being banned in the Canadian province of Ontario. 20th century fox agreed to make cuts to 7 scenes showing incest and the film was given a 'Restricted' rating.
- Colonne sonoreNight Fever
Composed by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
Courtesy of RSO Records Inc.
Recensione in evidenza
Not many discuss Bertolucci's La Luna as one of his most challenging films but I beg to differ. In 1979 I presume the film's campy allure had not been registered but today it's all to be seen; call it kitsch or ironic, but la Luna encapsulates two worlds Bertolucci tried to negotiate in most of his films - the world of appearances and surfaces against the inner world of the protagonist. La Luna plays both against each other as a masquerade, because what we think we are getting is not what we really are seeing. Bertolucci presents the first part as a post-Freudian fable in late 70s Rome where an Opera singer and her son indulge in an Oedipal relationship. Bertolucci then introduces the lost but real father to the scene as if to eradicate Freudian psychoanalysis as a spurious retelling of Greek myth. It seems the son only wants his father's recognition and love, while the mother is marginalized. It's a very masculine thesis for Bertolucci, one that reinforces the illusory fundamentals of Patriarchy, while negating the matriarchal as a mere bypass to the final journey(father's love).
Jill Clayburgh's acting is off-key most of the time but this unwittingly invests the film with its latter-day camp quality, while Matthew Barry looks dazed and confused throughout the entire film. Rome is undoubtedly the best part of the film as well as the sumptuous visuals that capture its sun-drenched beauty and decaying but grand monuments.
Jill Clayburgh's acting is off-key most of the time but this unwittingly invests the film with its latter-day camp quality, while Matthew Barry looks dazed and confused throughout the entire film. Rome is undoubtedly the best part of the film as well as the sumptuous visuals that capture its sun-drenched beauty and decaying but grand monuments.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Luna?Powered by Alexa
Dettagli
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti