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Aggiungi una trama nella tua linguaIn 1974, Professor Lorrimer Van Helsing investigates a satanic cult on behalf of Scotland Yard, only to discover a plot by Count Dracula to commit global genocide.In 1974, Professor Lorrimer Van Helsing investigates a satanic cult on behalf of Scotland Yard, only to discover a plot by Count Dracula to commit global genocide.In 1974, Professor Lorrimer Van Helsing investigates a satanic cult on behalf of Scotland Yard, only to discover a plot by Count Dracula to commit global genocide.
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- QuizChristopher Lee found himself getting increasingly dismayed and disillusioned that Dracula's portrayal was moving increasingly away from the source material, calling this movie "a mixture of Howard Hughes and Dr. No" in a 1994 interview.
- BlooperIt is not possible to melt silver over a small propane camping gas stove as shown since it has a melting point of about 962 °C. The apparatus loses heat too quickly to achieve such temperatures. Molten metal at such temperatures glows with a white-reddish hue as a function of the temperature instead of remaining silver-colored as shown. It is also not possible to use a lead bullet mold as shown because silver is much harder and more resilient than lead and thus cannot be trimmed off with the mold's trimming cutter as shown.
- Citazioni
Count Dracula: [to Van Helsing] My revenge has spread over centuries and has just begun!
- Versioni alternativeThe original UK cinema print was cut by the BBFC to heavily edit the opening sacrifice scene, 2 staking scenes and the electrocution of a guard (the proposed cuts to the shooting of Torrence were never made). For the video release the same cut print was submitted and cut by a further 1 sec to remove a shot of Jane's exposed breast being pierced with a stake.
- ConnessioniEdited into Haunted Hollywood: Count Dracula and his Vampire Brides (2016)
Recensione in evidenza
The accepted wisdom regarding the Hammer Dracula pictures is that they started great, tailed off to good, and, by the time the 70's rolled round, were stinkers. Well, sorry friends, but this time the accepted wisdom is wrong.
Personally, I have never been a great fan of Vampire films in general and Dracula in particular. The vast majority of the Hammer fang flicks bore me rigid (I like the Frankenstein's though - especially 'and the monster from Hell'). And I've always thought that Chris Lee was far better employed in other roles. But 'The Satanic rites of Dracula' represents the best of Hammer and Lee.
For me, one of it's major strengths is that Dracula remains implied rather than seen until the last third of the film. Instead, we view the sinister workings of his organization and it's minions. Lee appears after the first 30 minutes, in a short and ineffective scene in which he emerges from a puff of smoke to claim a kidnapped damsel, and then disappears again for another 30. This brief, unsatisfactory piece of business was presumably inserted to reassure punters who were worried that half an hour had elapsed without presenting the title character. Personally, I'd cut it to make an even better film.
The withholding of the chief vampire manages to build up a real sense of atmosphere and some genuine foreboding, which pays off well in the great little sequence where Cushing's Van Helsing finally confronts the Count, who has been operating under the funky moniker of D.D. Denham. A simple but very effectively staged episode with Pete n' Chris on top form.
The film as a whole is well shot and cut by ex-'Avengers' man Alan Gibson, who creates an effectively bleak and chilly atmosphere through good location work (a seemingly deserted London and Dracula's spooky country retreat) and some well designed interiors (hidden, seedy MI5 offices and Dracula's business headquarters). The tone and 'feel' of the picture is nicely established by the opening credits sequence. Again, simple but effective.
There are good performances by Cushing, Lee, William Franklyn, Freddie Jones and Michael Coles. Even Joanna Lumley. A modicum of 70's cheese, as evidenced by the vampire brides sequence and John Cacavas' cool 'chicka-wah' score, enriches, rather than taints, the whole experience. And some choice lines of fruity dialogue raise an occasional delighted grin. I've seen the film numerous times over the past 11 or 12 years and for me it never palls.
Along with 'Captain Kronos', definitely one of Hammers best.
Personally, I have never been a great fan of Vampire films in general and Dracula in particular. The vast majority of the Hammer fang flicks bore me rigid (I like the Frankenstein's though - especially 'and the monster from Hell'). And I've always thought that Chris Lee was far better employed in other roles. But 'The Satanic rites of Dracula' represents the best of Hammer and Lee.
For me, one of it's major strengths is that Dracula remains implied rather than seen until the last third of the film. Instead, we view the sinister workings of his organization and it's minions. Lee appears after the first 30 minutes, in a short and ineffective scene in which he emerges from a puff of smoke to claim a kidnapped damsel, and then disappears again for another 30. This brief, unsatisfactory piece of business was presumably inserted to reassure punters who were worried that half an hour had elapsed without presenting the title character. Personally, I'd cut it to make an even better film.
The withholding of the chief vampire manages to build up a real sense of atmosphere and some genuine foreboding, which pays off well in the great little sequence where Cushing's Van Helsing finally confronts the Count, who has been operating under the funky moniker of D.D. Denham. A simple but very effectively staged episode with Pete n' Chris on top form.
The film as a whole is well shot and cut by ex-'Avengers' man Alan Gibson, who creates an effectively bleak and chilly atmosphere through good location work (a seemingly deserted London and Dracula's spooky country retreat) and some well designed interiors (hidden, seedy MI5 offices and Dracula's business headquarters). The tone and 'feel' of the picture is nicely established by the opening credits sequence. Again, simple but effective.
There are good performances by Cushing, Lee, William Franklyn, Freddie Jones and Michael Coles. Even Joanna Lumley. A modicum of 70's cheese, as evidenced by the vampire brides sequence and John Cacavas' cool 'chicka-wah' score, enriches, rather than taints, the whole experience. And some choice lines of fruity dialogue raise an occasional delighted grin. I've seen the film numerous times over the past 11 or 12 years and for me it never palls.
Along with 'Captain Kronos', definitely one of Hammers best.
- LewisJForce
- 1 feb 2004
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- Tempo di esecuzione1 ora 27 minuti
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By what name was I satanici riti di Dracula (1973) officially released in India in English?
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