VALUTAZIONE IMDb
6,9/10
21.990
LA TUA VALUTAZIONE
Una piccola giornalista cerca di convincere la polizia di aver visto un omicidio nell'appartamento di fronte al suo.Una piccola giornalista cerca di convincere la polizia di aver visto un omicidio nell'appartamento di fronte al suo.Una piccola giornalista cerca di convincere la polizia di aver visto un omicidio nell'appartamento di fronte al suo.
- Premi
- 1 candidatura in totale
William Finley
- Emil Breton
- (as Bill Finley)
Cathy Berry
- Lobster child
- (non citato nei titoli originali)
Eddie Carmel
- Giant
- (non citato nei titoli originali)
Olympia Dukakis
- Louise Wilanski
- (non citato nei titoli originali)
Art Evans
- African Room Waiter
- (non citato nei titoli originali)
Catherine Gaffigan
- Arlene
- (non citato nei titoli originali)
Justine Johnston
- Elaine D'Anna
- (non citato nei titoli originali)
James Mapes
- Guard
- (non citato nei titoli originali)
Laun Maurer
- Druggist
- (non citato nei titoli originali)
Bob Melvin
- Extra
- (non citato nei titoli originali)
Burt Richards
- Hospital Attendant
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizBrian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
- BlooperAfter leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.
Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
- Versioni alternativeFor the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
- ConnessioniFeatured in Terrore in sala (1984)
Recensione in evidenza
SPOILER: A movie that doesn't really make a lick of sense when you think about it but that is so stylishly entertaining that you can't look away....yep, you guessed it, another Brian De Palma movie.
In this one Margot Kidder plays a woman whose Siamese twin died when they were separated and who now has a good twin/bad twin split personality. The good twin is a mousy thing with a French accent; the bad twin hacks people up with butcher knives. A busy body reporter (Jennifer Salt) who lives across the way witnesses one of the murders and tries to convince the police to investigate. When they don't take her claims seriously, she enlists the help of a private detective (Charles Durning). I'm not sure why she does so, because he does barely anything and she goes off on her own to investigate the crime herself. This leads her to a mental institution where.....oh, just see the wackadoodle thing yourself.
De Palma again tips his not so subtle hat to Hitchcock, and even hires frequent Hitchcock collaborator Bernard Herrmann to compose the film's terrific score. Themes of voyeurism (again, see Hitchcock) abound, but I'm not sure what De Palma is really using them to say, or indeed if he's trying to say anything at all. I just enjoyed watching his groovy use of split screens.
Grade: B+
In this one Margot Kidder plays a woman whose Siamese twin died when they were separated and who now has a good twin/bad twin split personality. The good twin is a mousy thing with a French accent; the bad twin hacks people up with butcher knives. A busy body reporter (Jennifer Salt) who lives across the way witnesses one of the murders and tries to convince the police to investigate. When they don't take her claims seriously, she enlists the help of a private detective (Charles Durning). I'm not sure why she does so, because he does barely anything and she goes off on her own to investigate the crime herself. This leads her to a mental institution where.....oh, just see the wackadoodle thing yourself.
De Palma again tips his not so subtle hat to Hitchcock, and even hires frequent Hitchcock collaborator Bernard Herrmann to compose the film's terrific score. Themes of voyeurism (again, see Hitchcock) abound, but I'm not sure what De Palma is really using them to say, or indeed if he's trying to say anything at all. I just enjoyed watching his groovy use of split screens.
Grade: B+
- evanston_dad
- 15 feb 2017
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Siamesas diabólicas
- Luoghi delle riprese
- 1757 Victory Boulevard, Staten Island, New York, New York, Stati Uniti(formerly Four Corners Bakery)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 500.000 USD (previsto)
- Lordo in tutto il mondo
- 318.348 USD
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