VALUTAZIONE IMDb
5,9/10
18.331
LA TUA VALUTAZIONE
Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viz... Leggi tuttoIl terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.
- Vincitore di 1 Oscar
- 3 vittorie e 7 candidature totali
Geneviève Bujold
- Denise Marshall
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Emilio Chavez
- (as Pedro Armendariz Jr.)
Trama
Lo sapevi?
- QuizThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- BlooperWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Versioni alternativeFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- ConnessioniEdited from Il sipario strappato (1966)
Recensione in evidenza
Remy (Ava Gardner) and Stuart Graff (Charlton Heston)'s marriage is falling apart. She ODs once again after another fight. During a small earthquake, she jumps up and reveals that she's faking. He's a construction engineer working for his father-in-law Sam Royce (Lorne Greene). He starts an affair with the widow of his friend and single mom Denise Marshall (Geneviève Bujold). There is a mysterious drowning at a local dam and other disturbing signs. LAPD cop Lou Slade (George Kennedy) gets suspended for punching a clueless county cop. Miles (Richard Roundtree) is a motorcycle rider perfecting a new stunt. Grad student Russell predicts the big one in 48 hours.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
- SnoopyStyle
- 19 mar 2016
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Earthquake
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 79.666.653 USD
- Lordo in tutto il mondo
- 79.666.653 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 2.39 : 1
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