VALUTAZIONE IMDb
5,9/10
18.323
LA TUA VALUTAZIONE
Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viz... Leggi tuttoIl terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.Il terremoto più catastrofico di tutti i tempi si abbatte su Los Angeles, diffondendo il terrore fra i suoi dieci milioni di abitanti. Tra i protagonisti un rude ingegnere con la ricca e viziata moglie, un poliziotto ed un proprietario di immobili.
- Vincitore di 1 Oscar
- 3 vittorie e 7 candidature totali
Geneviève Bujold
- Denise Marshall
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Emilio Chavez
- (as Pedro Armendariz Jr.)
Trama
Lo sapevi?
- QuizThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- BlooperWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Versioni alternativeFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- ConnessioniEdited from Il sipario strappato (1966)
Recensione in evidenza
Middle of the road disaster movie attempt has all the elements, but just misses the right tone needed to assure the momentum for a two-hour shakedown. Heston (hot on the heels of "Skyjacked" and moments away from "Airport 1975") and Gardner are beyond their prime in roles perhaps better suited to younger performers, nevertheless, there is ample youth displayed in Marjoe Gortner playing an unhinged national guardsman taking his duty far too seriously, Richard Roundtree riding the "Shaft" wave as a self-styled Evel Kneivel, and beauties Genevieve Bujold and Victoria Principal in shallow, supporting roles.
The story revolves around the destruction of Los Angeles following a series of tremors, claiming the lives of many of the cast and sparing some who probably should have perished. Lorne Greene plays Ava Gardner's dad (apparently he was 4 or 5 when she was conceived), Barry Sullivan is a seismologist, and for some unknown reason Walter Matthau plays a barfly who's too sozzled to know what's happening when the big one razes the bar (so to speak). There's the usual solar system worth of stars and character actors in varying roles ranging from George Kennedy as an LAPD cop with plenty on his plate, to HB Haggerty and Lonny Chapman in an uncredited role.
Made at a time when these type of films were in vogue, you didn't need to think too hard about the back stories and soap opera melodrama, just recline and enjoy the ensuing pandemonium, here, focused mainly on the post-earthquake looting and usual stories of heroism, survival and sometimes, tragedy. Nothing heavy nor sentimental with which to contend, it's just plain old meat and drink, take it or leave it, disaster movie 101.
The story revolves around the destruction of Los Angeles following a series of tremors, claiming the lives of many of the cast and sparing some who probably should have perished. Lorne Greene plays Ava Gardner's dad (apparently he was 4 or 5 when she was conceived), Barry Sullivan is a seismologist, and for some unknown reason Walter Matthau plays a barfly who's too sozzled to know what's happening when the big one razes the bar (so to speak). There's the usual solar system worth of stars and character actors in varying roles ranging from George Kennedy as an LAPD cop with plenty on his plate, to HB Haggerty and Lonny Chapman in an uncredited role.
Made at a time when these type of films were in vogue, you didn't need to think too hard about the back stories and soap opera melodrama, just recline and enjoy the ensuing pandemonium, here, focused mainly on the post-earthquake looting and usual stories of heroism, survival and sometimes, tragedy. Nothing heavy nor sentimental with which to contend, it's just plain old meat and drink, take it or leave it, disaster movie 101.
- Chase_Witherspoon
- 26 ott 2012
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Earthquake
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 79.666.653 USD
- Lordo in tutto il mondo
- 79.666.653 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Proporzioni
- 2.39 : 1
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