Sei giovani attrici che fanno un provino per un ruolo cinematografico in una villa remota vengono prese di mira da un misterioso assassino mascherato.Sei giovani attrici che fanno un provino per un ruolo cinematografico in una villa remota vengono prese di mira da un misterioso assassino mascherato.Sei giovani attrici che fanno un provino per un ruolo cinematografico in una villa remota vengono prese di mira da un misterioso assassino mascherato.
- Regia
- Sceneggiatura
- Star
- Tara DeMillo
- (as Sandra Warren)
Trama
Lo sapevi?
- QuizLesleh Donaldson was doubled by a figure skater for the skating sequence on the pond. Donaldson was originally going to do this sequence herself and even had undergone training in a skating arena to do her own routine, but fell down on the bumpy ice on the day this scene was shot and cut her chin. Donaldson's skating double also played the killer in that same sequence.
- Blooper(in the 1.78:1 widescreen version, at 1:13:30) When Tara is trying to escape from the killer inside the prop house, she comes upon two doors with glass windows. At the bottom left of the screen, a crew member can be seen sitting on the floor.
- Citazioni
Jonathan Stryker: What makes you think you're right for Audra?
Patti O'Connor: I'm as right as anybody else you've got here. I mean, goddammit! You haven't spent five minutes with me and now you're telling me I'm wrong for the part. Why? Because I haven't got a staple to my navel like that centerfold? Because I wouldn't pirouette into bed with you and skate on your face? I mean, what the hell are you looking for anyway and what do you want from me? I mean, who the fuck is Audra anyway?
[Jonathan stays silent]
Patti O'Connor: Are you enjoying yourself?
Jonathan Stryker: I'm enjoying a little bit of Audra.
[walks away]
Patti O'Connor: You bastard.
- Curiosità sui creditiThe credits are divided into acts like a play, due to the movie being centered around acting and scripts.
- ConnessioniFeatured in Ciupka: A Filmmaker in Transition (1983)
- Colonne sonoreSave my Soul
Courtesy of Burton Cummings & Shillelagh Music Co.
Normally, there's a high amount of gore in any given slasher; and while Curtains features a handful of murder scenes, none of them are particularly bloody and director Richard Ciupka seems to prefer to keep the focus more on atmosphere and tension than gore. The plot pacing is somewhat ponderous, so the film isn't always filled with tension - but the scenes that feature the murderer are largely well executed, and the mystery as to who is behind the mask is one that seems worth uncovering. Curtains takes place in a creepy old mansion house, and this provides a more than adequate location for the film to take place in. The acting is decent also, with two central performances - those coming from John Vernon and Samantha Eggar standing out among the younger cast. The conclusion to the film is particularly well done, and this ensures that the audience leaves the film on a high. The mystery behind the murderer is clever in that all the cards are kept close to the chest until the end, and while the culprit is unlikely - it does come as a surprise. Overall, Curtains is hardly a brilliant film, but it's not bad and certainly is worth seeing.
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Dettagli
Botteghino
- Budget
- 3.700.000 CA$ (previsto)