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5,4/10
3626
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAlien beings, who settle in a small midwestern town, are disturbed by a young professor determined to rescue his daughter from their clutches.Alien beings, who settle in a small midwestern town, are disturbed by a young professor determined to rescue his daughter from their clutches.Alien beings, who settle in a small midwestern town, are disturbed by a young professor determined to rescue his daughter from their clutches.
- Premi
- 1 vittoria e 6 candidature
Paul Le Mat
- Charles Bigelow
- (as Paul LeMat)
Kenneth Tobey
- Arthur Newman
- (as Ken Tobey)
Trama
Lo sapevi?
- QuizSecond part of a planned trilogy, known as the "Strange Trilogy", by writer-director Michael Laughlin. The first part had been Strange Behavior (1981). A third was planned, but due to a lack of funding, it was never made.
- BlooperBetty runs back to the hotel in the dark, then immediately heads down the fire escape with Charles. But when they get down to street level it is broad daylight.
- Citazioni
Betty Walker: Well, now that we're past this awkward 'getting to know you' phase, let me buy you a drink. Well, come back tomorrow - maybe we can find this photograph.
- ConnessioniFeatured in In Search of Tomorrow (2022)
- Colonne sonoreSince I Don't Have You
Performed by The Skyliners
Recensione in evidenza
The decidedly miscast Paul LeMat here plays Charles Bigelow, a Columbia University entomology professor who tracks his odd-duck ex-wife Margaret (Diana Scarwid) to her old hometown, which is typical Smalltown, U.S.A. (She'd left their daughter (Lulu Sylbert) with him and then disappeared.) Not only does he find it to be a strange environment (it seems to be stuck in the 50s), but the locals aren't exactly welcoming. A couple of WTF experiences later and he realizes that, in fact, the aliens have landed, and have kept this town in this state for a quarter century. He teams up with a tabloid journalist, Betty Walker (ever lovely and appealing Nancy Allen), and a supposed nut case (the excellent Michael Lerner) to take on the "strange invaders".
This film was fashioned by director Michael Laughlin ("Dead Kids") and his co-writer, Bill Condon (a future director, himself) as both a loving tribute to and parody of vintage science-fiction. In that respect, it gets its look and feel just right. It's often amusing, has its heart in the right place, and in this viewers' humble opinion, actually has a fairly decent pace. The script isn't perfect; it does have some holes, but overall Laughlin and Condon did a nice job here. Having partly shot their film in Canada, it does have a delightful scenic quality, which is only enhanced by the widescreen photography. It also features some wonderfully icky and gross makeup and creature effects that are certain to have some more squeamish viewers going, "Ewww." Best of all is the score by John Addison, which does a fine job of truly evoking the era.
As part of their presentation, Laughlin and Condon cast the film with some supporting roles and cameo appearances for performers from old time sci-fi: June Lockhart and Mark Goddard from 'Lost in Space', Kenneth Tobey ("The Thing from Another World", etc.). Cinemas' original grumpy old man, Charles Lane, co-stars along with Louise Fletcher (playing a not-quite-on-the-level government agent), Fiona Lewis, a too briefly seen Wallace Shawn, character actor Jack Kehler (in his film debut), singer Bobby "Boris" Pickett, and Dan Shor & Dey Young, the young stars of "Dead Kids". LeMat is a rather bland hero, but Allen is luminous, and Lerner pretty much delivers the best performance in the thing. Condon has an uncredited cameo as a guy listening in a doorway.
Perhaps the most value lies in trivia revealed by Laughlin on his audio commentary: at the time, he was young Sylberts' stepdad; her real dad was the legendary Hollywood production designer Richard Sylbert, and her mom is Susanna Moore, the production & costume designer on this film; Laughlin was involved with Moore when this film was made.
Pay close attention during an early scene to hear what may have been the first use of an R.E.M. song in a movie.
Seven out of 10.
This film was fashioned by director Michael Laughlin ("Dead Kids") and his co-writer, Bill Condon (a future director, himself) as both a loving tribute to and parody of vintage science-fiction. In that respect, it gets its look and feel just right. It's often amusing, has its heart in the right place, and in this viewers' humble opinion, actually has a fairly decent pace. The script isn't perfect; it does have some holes, but overall Laughlin and Condon did a nice job here. Having partly shot their film in Canada, it does have a delightful scenic quality, which is only enhanced by the widescreen photography. It also features some wonderfully icky and gross makeup and creature effects that are certain to have some more squeamish viewers going, "Ewww." Best of all is the score by John Addison, which does a fine job of truly evoking the era.
As part of their presentation, Laughlin and Condon cast the film with some supporting roles and cameo appearances for performers from old time sci-fi: June Lockhart and Mark Goddard from 'Lost in Space', Kenneth Tobey ("The Thing from Another World", etc.). Cinemas' original grumpy old man, Charles Lane, co-stars along with Louise Fletcher (playing a not-quite-on-the-level government agent), Fiona Lewis, a too briefly seen Wallace Shawn, character actor Jack Kehler (in his film debut), singer Bobby "Boris" Pickett, and Dan Shor & Dey Young, the young stars of "Dead Kids". LeMat is a rather bland hero, but Allen is luminous, and Lerner pretty much delivers the best performance in the thing. Condon has an uncredited cameo as a guy listening in a doorway.
Perhaps the most value lies in trivia revealed by Laughlin on his audio commentary: at the time, he was young Sylberts' stepdad; her real dad was the legendary Hollywood production designer Richard Sylbert, and her mom is Susanna Moore, the production & costume designer on this film; Laughlin was involved with Moore when this film was made.
Pay close attention during an early scene to hear what may have been the first use of an R.E.M. song in a movie.
Seven out of 10.
- Hey_Sweden
- 9 feb 2019
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Cudni osvajaci
- Luoghi delle riprese
- Claremont, Ontario, Canada(Centerville, IL)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.362.303 USD
- Fine settimana di apertura Stati Uniti e Canada
- 655.461 USD
- 18 set 1983
- Lordo in tutto il mondo
- 1.362.303 USD
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By what name was Strange Invaders (1983) officially released in India in English?
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