Come parte di un accordo con un'agenzia di intelligence per cercare suo fratello scomparso, un pilota rinnegato va in missione con un elicottero da battaglia avanzato.Come parte di un accordo con un'agenzia di intelligence per cercare suo fratello scomparso, un pilota rinnegato va in missione con un elicottero da battaglia avanzato.Come parte di un accordo con un'agenzia di intelligence per cercare suo fratello scomparso, un pilota rinnegato va in missione con un elicottero da battaglia avanzato.
- Vincitore di 1 Primetime Emmy
- 4 vittorie e 7 candidature totali
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Lo sapevi?
- QuizJan-Michael Vincent's addiction to alcohol and drugs was a constant problem during filming.
- BlooperAirwolf's control stick has two buttons controlled by the thumb: On the left side to enable "turbos", on the top to fire a missile. Throughout season 3 Hawke and Dominic sometimes press the top "missile" button to engage turbos.
- Citazioni
Dominic Santini: [after they've flown Airwolf into the Upper Atmosphere] Now, would mind telling me why the hell we did that?
Stringfellow Hawke: I just wanted to see if it could be done.
- Versioni alternativeIn the Italian version Hawke's surname is "Stradivarius".
- ConnessioniFeatured in Jan-Michael Vincent Is My Muse (2002)
Recensione in evidenza
As a young teenager at the time, Airwolf was compulsory viewing for a generation who wanted their "Cowboys and Indians" to have amazing gadgets and whizz-bang explosions.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Lobo del aire
- Luoghi delle riprese
- Monument Valley, Utah, Stati Uniti(establishing shots of the Valley of the Gods)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora
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