Mentre scrive la sua tesi in criminologia, una giovane donna inizia a sospettare che il suo nuovo fidanzato sia un omicida seriale.Mentre scrive la sua tesi in criminologia, una giovane donna inizia a sospettare che il suo nuovo fidanzato sia un omicida seriale.Mentre scrive la sua tesi in criminologia, una giovane donna inizia a sospettare che il suo nuovo fidanzato sia un omicida seriale.
Riccardo Parisio Perrotti
- Professor - Chiara's Dad
- (as Riccardo Perrotti)
Trama
Lo sapevi?
- QuizLoosely based on the story of the so-called Monster of Florence, a serial killer active in Tuscany between the 1970s and the 1980s.
- BlooperThough his face is never seen, the second male victim suspiciously has the same blue shirt and marks on his arms as the first, while his dead body is supposedly moldering in the morgue. Obviously both are the same actor.
- Citazioni
Threatening Voice on Phone: [to Crisitiana] Drop it!
- Curiosità sui creditiThe closing credits appear on a still photograph of the protagonist while she is watching the film in a theater.
- ConnessioniEdited into 28° minuto (1991)
Recensione in evidenza
If you thought that GIALLO A VENEZIA took the giallo genre to its logical conclusion of violence, this one wins hands down. It was made pretty late for a giallo (late 80s) and I guess that is reflected by the outrageous bloodshed that presumably was tacked on to get some kind of financial return on this one...
Stylistically, this is reasonably effective. It has a bit of a "TV movie" look that I really don't like. The atmosphere that my favourite gialli (such as DON'T TORTURE A DUCKLING or EYE OF THE LABYRINTH) manage to conjure up is simply not present here. Still, the plot seems pretty neat if a little too straightforward for a film of this nature (then again I'm a sucker for the contrived and complex!).
Once again, the sexual violence is the focus of this film. The scene in the tent is really very nasty and explores the farthest reaches of sexual exploitation, only dabbled with previously by the likes of THE BEAST IN HEAT and DELIRIUM...
Still, it's worth a look I guess. I'd still rather watch a well-crafted but less excessive giallo any day of the week.
Stylistically, this is reasonably effective. It has a bit of a "TV movie" look that I really don't like. The atmosphere that my favourite gialli (such as DON'T TORTURE A DUCKLING or EYE OF THE LABYRINTH) manage to conjure up is simply not present here. Still, the plot seems pretty neat if a little too straightforward for a film of this nature (then again I'm a sucker for the contrived and complex!).
Once again, the sexual violence is the focus of this film. The scene in the tent is really very nasty and explores the farthest reaches of sexual exploitation, only dabbled with previously by the likes of THE BEAST IN HEAT and DELIRIUM...
Still, it's worth a look I guess. I'd still rather watch a well-crafted but less excessive giallo any day of the week.
- Moshing Hoods
- 18 set 2001
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By what name was L'assassino è ancora tra noi (1986) officially released in India in English?
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