VALUTAZIONE IMDb
6,6/10
1810
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIan Holm is children's author Lewis Carroll in this poignant fantasy-drama set in 1930s New York and populated by the fabulous special effects creatures of Muppet master Jim Henson.Ian Holm is children's author Lewis Carroll in this poignant fantasy-drama set in 1930s New York and populated by the fabulous special effects creatures of Muppet master Jim Henson.Ian Holm is children's author Lewis Carroll in this poignant fantasy-drama set in 1930s New York and populated by the fabulous special effects creatures of Muppet master Jim Henson.
- Regia
- Sceneggiatura
- Star
- Nominato ai 2 BAFTA Award
- 7 vittorie e 6 candidature totali
Trama
Lo sapevi?
- QuizBecause its American theatrical release was limited, and she was extremely proud of this movie, Coral Browne went on a self-funded promotional tour.
- BlooperDuring the tea dance Jack and Lucy waltz to "I Only Have Eyes For You." The scene is set in 1932, but the song was not written until 1934.
- Citazioni
Alice Hargreaves: That's quite intolerable. It would be difficult enough at my age to be what I once was, but utterly impossible to be what I never was.
- ConnessioniFeatured in At the Movies: The Trip to Beautiful/Ran/Clue/Dreamchild (1985)
- Colonne sonoreAll of Me
(uncredited)
Music by Gerald Marks
Lyrics by Seymour Simons
Performed by a vocalist with the ship's band
Recensione in evidenza
The fate of movies is a mystery.
Why should it be that certain mediocre films draw crowds large enough to wrap twice around the block, only to be just as soon forgotten, while others, marvelous films, never catch on at all, and end up lost through decades, waiting only to be rediscovered one day, when a DVD edition suddenly blesses them with a second life?
DreamChild is a monumental work of art that rests on another monumental work. Of course, it helps that as a kid, I was fascinated by Lewis Carrol's famous adventures of Alice in Wonderland and Thru the Looking Glass, as well as the wild and often creepy, psychedelic universe beautifully rendered by artist Sir John Tenniel. It's worth noting that, to this day, we owe Tenniel most of the representations we have of the worlds and characters described by Carrol.
DreamChild a beautiful film in so many respects. Deeply moving and inviting us, the viewer, to reflect upon the true forces that guide the murky, and sometimes tortuous process from which art is born.
The screenplay by Dennis Potter is airtight, witty, often funny, but also dark and complex. Ian Holm as the Reverend Dodgson delivers one of the two best performances of his life (The Sweet Hereafter being the other). Curiously, both deal with the agonizing pain of holding back.
Even little Amelia Shankley, who plays young Alice Lydell, the muse throughout the film, is deeply haunting and complex, juggling the tricky emotions that carry the entire picture through to its resolution.
This was a fairly low budget production, shot entirely in the UK, but Roger Hall's masterful art direction can convince even a savvy movie buff that he is watching a pricey period picture set in New York City's Great Depression era. Gavin Millar, the director, is mature enough to let his camera witness a powerful story without artifice.
There is not one bad choice in this picture, right down to a gorgeous musical score by Stanley Myers. Finally, Jim Henson and his team of artists recreated the wildest and most beloved characters of Alice in Wonderland as animatronic puppets which, thirty years on, hold up perfectly and allow the film to soar with its unique, organic, and at times theatrical charm.
I saw this picture in New York City, in 1986, when it received a limited release, and I recall being instantly enchanted by it. I had to accept a poor videotape copy for years and years, until one of the film's crew members in the UK was kind enough to obtain a better copy for me, which I have cherished. But now, a DVD-R has been released in the film's original 1:85/1 ratio and I was recently able to watch it all again, at last in a perfect presentation.
DreamChild is a great big film which only had a small life, but it is worth discovering on DVD. It's a picture that could well stay with you for the rest of your life.
It did with me.
Why should it be that certain mediocre films draw crowds large enough to wrap twice around the block, only to be just as soon forgotten, while others, marvelous films, never catch on at all, and end up lost through decades, waiting only to be rediscovered one day, when a DVD edition suddenly blesses them with a second life?
DreamChild is a monumental work of art that rests on another monumental work. Of course, it helps that as a kid, I was fascinated by Lewis Carrol's famous adventures of Alice in Wonderland and Thru the Looking Glass, as well as the wild and often creepy, psychedelic universe beautifully rendered by artist Sir John Tenniel. It's worth noting that, to this day, we owe Tenniel most of the representations we have of the worlds and characters described by Carrol.
DreamChild a beautiful film in so many respects. Deeply moving and inviting us, the viewer, to reflect upon the true forces that guide the murky, and sometimes tortuous process from which art is born.
The screenplay by Dennis Potter is airtight, witty, often funny, but also dark and complex. Ian Holm as the Reverend Dodgson delivers one of the two best performances of his life (The Sweet Hereafter being the other). Curiously, both deal with the agonizing pain of holding back.
Even little Amelia Shankley, who plays young Alice Lydell, the muse throughout the film, is deeply haunting and complex, juggling the tricky emotions that carry the entire picture through to its resolution.
This was a fairly low budget production, shot entirely in the UK, but Roger Hall's masterful art direction can convince even a savvy movie buff that he is watching a pricey period picture set in New York City's Great Depression era. Gavin Millar, the director, is mature enough to let his camera witness a powerful story without artifice.
There is not one bad choice in this picture, right down to a gorgeous musical score by Stanley Myers. Finally, Jim Henson and his team of artists recreated the wildest and most beloved characters of Alice in Wonderland as animatronic puppets which, thirty years on, hold up perfectly and allow the film to soar with its unique, organic, and at times theatrical charm.
I saw this picture in New York City, in 1986, when it received a limited release, and I recall being instantly enchanted by it. I had to accept a poor videotape copy for years and years, until one of the film's crew members in the UK was kind enough to obtain a better copy for me, which I have cherished. But now, a DVD-R has been released in the film's original 1:85/1 ratio and I was recently able to watch it all again, at last in a perfect presentation.
DreamChild is a great big film which only had a small life, but it is worth discovering on DVD. It's a picture that could well stay with you for the rest of your life.
It did with me.
- sylvain-14
- 28 nov 2014
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Das wahre Leben der Alice im Wunderland
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 1.215.923 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.425 USD
- 6 ott 1985
- Lordo in tutto il mondo
- 1.215.923 USD
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By what name was Dreamchild (1985) officially released in India in English?
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