La foresta di smeraldo

I like to watch in pairs, and this was paired with Herzog's "Green Ants Dream."

The central character here is a teen, played by the director's son, who is kidnapped by Amazonian Indians at six and raised in nature. There are threats, adventures, encounters with "civilization." They provide the focus of the energy in this thing. Its all about that energy which we take from the juice of adolescence, perceive as the energy of an action movie and conflate (as we are intended to) with the natural richness of the rainforest.

Its a simple trick, but by gosh it works. Why is not a mystery: the teen drive is transformed into something pure here, done so by the actresses who play the teen Indian girls, lovely, and effectively nude. In order to underscore the point, the plot has them (importantly, as a group) kidnapped into civilization as a the complement of the original kidnapping. But the purpose here is prostitution.

When someone knows what they are doing and delivers the goods, its always a remarkable thing. The narrative engineering conveys the lack of engineering, and makes us desire the purity of encountering things without artifice.

Conveying this notion is then mixed with a completely unrelated message about the destruction of the rainforest and its central importance to the global ecology. Its rather dishonest, this, but because its such a noble cause we let it slip. But its a shame. In their defense, the acknowledge that just being native doesn't endow goodness: there is an "evil" tribe. Part of the tragedy is not shown: natives everywhere in the world aggressively damage the environment as much as their capabilities allow.

The perfect delicacy of this puts "Apocalypto" to shame.

Ted's Evaluation -- 3 of 3: Worth watching.