Aggiungi una trama nella tua linguaWim Wenders abandons the shoot of one of his own films in order to help his friend and fellow director Nicholas Ray create his swan song before he dies.Wim Wenders abandons the shoot of one of his own films in order to help his friend and fellow director Nicholas Ray create his swan song before he dies.Wim Wenders abandons the shoot of one of his own films in order to help his friend and fellow director Nicholas Ray create his swan song before he dies.
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- QuizFinal film directed by Nicholas Ray; this also marks as his first documentary.
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Wim Wenders: I didn't come here to talk about dying Nick... but we might have to.
Nicholas Ray: But we might have to?
Wim Wenders: I was looking forward to seeing you, because I need your advice. You told me on the phone that you wanted to see me, but I was afraid to come too. And I think I'd rather tell you right now; why. I was aware that I'd see you in weakness, and... that... you might be worried about being seen this way. But I feel it's okay now. There is something else that came to my mind in the plane last night, that I'm actually more afraid of. I thought that I could find myself being attracted to your weakness, or to your suffering, and... if I realized I was, I think I would have to leave you. It would feel like abusing you... or betraying you.
Nicholas Ray: That won't happen.
Wim Wenders: Good! So what are our plans for the rest of the day?
- Versioni alternativeAfter Nicholas Ray died, Wim Wenders was too depressed to help edit the film, so he left it to Peter Przygodda. Przygodda spent a year working on it, and this was the 116-minute version shown at the Cannes Film Festival. Wenders, however, was disturbed by this version and found it depressing and obscure. He spent three months with Chris Sievernich re-editing the film. Aside from cutting more than 25 minutes, he added more footage of Susan Ray as well as his narration of Ray's diary. This 91-minute version is the one distributed by the Wim Wenders foundation.
- ConnessioniEdited from Nicholas Ray: Especially for Pierre (1979)
- Colonne sonoreLightning Over Water
Performed by Ronee Blakley
I have always been a Ray fan from "they live by night" to "run for cover" to "party girl" to his final epics which were looked upon by pretty much as failures.I must admit that I do not go much for Wenders' stuff ,which is much too intellectual for me .
Its not a documentary movie,it's cinema verite depicting a man who is dying.The courage the director displays in front of death commands admiration but I wonder whether this movie should have been released:it's an intimate one,which should have been reserved for the circle of family and close friends.And I'm sure that many of these prefer to keep a picture of a healthy man .
If you have seen four or five movies by Ray ("rebel without a cause" "Johnny Guitar" "The savage" ) a piece of advice:try and see the lesser known Ray works:"wind across the everglades "born to be bad" "on dangerous ground" or "knock on any door" .The best homage to an exceptionally gifted director.
There are two good moments in "Lightning over water":
The "lusty men" extract happens to be my favorite in this classic:Mitchum come s back home,an old house where he finds back a comic and a money box:In "Lightning " ,Ray hints at "coming back home,seeing my mother's face" Childhood was an obsession in his work :just remember Dean playing in the gutter ("Rebel) or Cagney trying to make Derek his "son" in "run for cover" .
THe diary which Wenders reads is in German which makes sense since it's his first language;the shots of the wings of the plane are fascinating.
- dbdumonteil
- 14 apr 2008
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- 700.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
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- 1.66 : 1