VALUTAZIONE IMDb
6,6/10
5998
LA TUA VALUTAZIONE
Diversi adolescenti olandesi realizzano la crudele differenza tra i sogni e la realtà.Diversi adolescenti olandesi realizzano la crudele differenza tra i sogni e la realtà.Diversi adolescenti olandesi realizzano la crudele differenza tra i sogni e la realtà.
Saskia van Basten-Batenburg
- Truus
- (as Saskia Ten Batenburg)
Ab Abspoel
- Rien's vader
- (as Albert Abspoel)
Trama
Lo sapevi?
- QuizSpetters was heavily criticized in the Netherlands. Many critics accused the movie of being anti-women, anti-gay, anti-invalid, and anti-Christian. They also called it devoid of morals and needlessly decadent. This criticism was one of the contributing factors in director Paul Verhoeven's decision to begin making movies in America rather than his native land. In fact, on the movie's commentary track, Verhoeven has stated that the reason he was not fazed by the negative criticism of Showgirls (1995) was because he'd already been through it with Spruzzi (1980). He also pointed out that he also moved to America because it grew difficult to get funding. "All Dutch movies were fifty to sixty percent subsidized by the government. I was denied government funding because my movies were considered to be decadent, perverted, and antigovernment. That's when I had to leave. The problem was the leftists -- they are so fucking dogmatic. At that time in Holland, they were often more fascistic than the right."
- BlooperDuring the first bike race which Hans (Maarten Spanjer) loses because his bike breaks down, he gets splattered with dirt/mud all over his white jersey. But when he is at the trailer getting food moments later, his jersey is free of mud and dirt.
- Versioni alternativeWas released uncut in the UK before the video recordings act, on a laserdisc by Embassy Video
- ConnessioniFeatured in Allemaal film: De magie van het witte doek (2007)
Recensione in evidenza
Watching Spetters I felt like going full speed in a roller coaster. But not like in action films where the action often starts to feel monotonous. No, this roller coaster is full of life, emotions, all kind of things. The pacing is somehow well done, so that there are a lot of scenes with a lot of going on all the time, but also slower moments to even it out. The drama is very good, there is a lot of comedy, and what makes this a Verhoeven movie, there's a lot of nudity. I've never seen as many male private parts in an actual movie than here. But somehow I was more at home in this movie than in Verhoeven's "Turkish Delight" which I wached a while ago. I found that one somehow more difficult to stand, but this one was all-around an enjoyable ride.
Oh, and great, great music. Being a huge music fan I always get more kicks out of a movie if the music fits the movie.
Rough, passionate, uncomproised film-making. I might have to raise my rating later on because I felt like stumbling upon something unique, the kind of movie that makes an impression and you have to come back to it eventually.
Oh, and great, great music. Being a huge music fan I always get more kicks out of a movie if the music fits the movie.
Rough, passionate, uncomproised film-making. I might have to raise my rating later on because I felt like stumbling upon something unique, the kind of movie that makes an impression and you have to come back to it eventually.
- SkullScreamerReturns
- 15 giu 2021
- Permalink
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