Aggiungi una trama nella tua linguaA weird woman admires and spies on her shy mousy neighbor with a telescope.A weird woman admires and spies on her shy mousy neighbor with a telescope.A weird woman admires and spies on her shy mousy neighbor with a telescope.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 candidature
Joe Cortese
- Bob Luffrono
- (as Joseph Cortese)
Bette Davis
- Charlotte Vale
- (filmato d'archivio)
Trama
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- QuizReleased in theaters roughly one month before Cruising (1980), another film that was protested by gay rights activists for portrayals some deemed homophobic and hateful stereotypes.
- Citazioni
Andrea Glassen: Please... don't hurt me. Please... don't hurt me. *Please*... don't hurt me. Please... don't hurt me. Don't hurt me. Please. Please. Please don't hurt me. Please don't hurt me. Please don't hurt me. Please don't hurt me. Please.
- Versioni alternativeUK cinema and video versions were heavily cut by 2 minutes 16 secs by the BBFC to edit the opening rape scene.
Recensione in evidenza
This is one of those flicks I've wanted to see since it came out (I was underage at the time). The plot just sounded very freaky and bizarre. Regardless, it is one of the THE most impossible films to find since I don't believe it got a video release (except overseas) and I don't even think it played on cable in the '80s. It is however on YouTube now :-).
This film gets trashed by a lot of people immediately as being non-PC and homophobic. I think that's more a signpost of when the film was released, when attitudes toward people with other orientations weren't so enlightened.
No, the core problem behind this picture is that it's just a raving, stinking mess, and it really is virtually all Willis' fault. When you read the opening credits, your jaw drops...they read like an A-list of movie greats: Morricone, Bourne, Willis as DP. How could they screw this up? Easy. A) Don't build any suspense; B) Don't establish any characters or motivations; C) Allow the writer to write any damn thing he wants to, no matter how stupid or no matter what expense to the actors; D) Resort to constant dissolves when you don't know what else to do, especially since there is virtually no coherent action; E) Don't direct your actors...after all they're pros, they know exactly what to do. The list goes on....
This is a stalker movie....it should be about stalking. There is absolutely no fear built, no tension. It's a real master class in wasted celluloid.
Still, part of me has to admire this in a way you sometimes admire any bad movie. It sure didn't have any self-censoring going on. it did what it wanted to do and took no prisoners. One of the many things that makes it a museum piece today, even if that museum is a wax one.
This film gets trashed by a lot of people immediately as being non-PC and homophobic. I think that's more a signpost of when the film was released, when attitudes toward people with other orientations weren't so enlightened.
No, the core problem behind this picture is that it's just a raving, stinking mess, and it really is virtually all Willis' fault. When you read the opening credits, your jaw drops...they read like an A-list of movie greats: Morricone, Bourne, Willis as DP. How could they screw this up? Easy. A) Don't build any suspense; B) Don't establish any characters or motivations; C) Allow the writer to write any damn thing he wants to, no matter how stupid or no matter what expense to the actors; D) Resort to constant dissolves when you don't know what else to do, especially since there is virtually no coherent action; E) Don't direct your actors...after all they're pros, they know exactly what to do. The list goes on....
This is a stalker movie....it should be about stalking. There is absolutely no fear built, no tension. It's a real master class in wasted celluloid.
Still, part of me has to admire this in a way you sometimes admire any bad movie. It sure didn't have any self-censoring going on. it did what it wanted to do and took no prisoners. One of the many things that makes it a museum piece today, even if that museum is a wax one.
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Dettagli
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- Lingua
- Celebre anche come
- Corky
- Luoghi delle riprese
- 9 Cranberry Street, Brooklyn Heights, Brooklyn, New York, New York, Stati Uniti(Emily and Andrea's first apartment building)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.128.395 USD
- Fine settimana di apertura Stati Uniti e Canada
- 311.796 USD
- 20 gen 1980
- Lordo in tutto il mondo
- 2.128.395 USD
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