Yves Boisset has always been a politically committed director,but his stories are always linear and accessible:hence their efficiency,even if people complain about their manicheism or naiveté.One cannot deny their impact on the audience when it comes to depicting the Algerian war (in RAS) or racism (in Dupont Lajoie,probably his best effort).
"Espion lève -toi" moves in another direction ;relatively speaking it shows the influence of Pakula and "the parallax view".A hero (Ventura)fighting against something he does not really understand,estranged from his compatriots in Zurich ,Switzerland,the symbol of the power of money.Around him everybody's dying,even his lover ,a German professor is threatened ,and maybe she's not the woman he thinks she is (hints at Baader's gang and terrorism).When Ventura strikes back,not only it's too late but it may also be absurd and pointless:he 's nothing but a puppet on a string like laurence Harvey in "Mandchourian candidate" .
This movie is unique in Boisset's career:it was initially to be directed by Zulawski,and the snub critics used to say what a better movie it would have been !It's not sure :Zulawski's works are often pretentious and -in France,abroad they do not seem to bother- overrated ("posession" or "l'important c'est d'aimer")and Boisset's simplicity and academic but efficient style fit the screenplay like a glove.Unlike Frankenheimer's and Pakula 's works I Mention above,"Espion lève- toi" is no masterpiece but it should appeal to people who like this genre.
Yves Boisset got lost after this effort:he tackled pure thriller with "le prix du danger" "canicule "or "bleu comme l'enfer",and deprived of his political or social comments he was nothing but another director
