VALUTAZIONE IMDb
6,6/10
1353
LA TUA VALUTAZIONE
Dopo che gli Alleati liberarono Napoli nel 1943, la vita per i locali non è molto più facile, soprattutto per le donne. Molti sacrificano la loro dignità e il loro morale per sopravvivere.Dopo che gli Alleati liberarono Napoli nel 1943, la vita per i locali non è molto più facile, soprattutto per le donne. Molti sacrificano la loro dignità e il loro morale per sopravvivere.Dopo che gli Alleati liberarono Napoli nel 1943, la vita per i locali non è molto più facile, soprattutto per le donne. Molti sacrificano la loro dignità e il loro morale per sopravvivere.
- Premi
- 1 vittoria e 2 candidature
Peppe Barra
- Sarto
- (as Giuseppe Barra)
Rosaria della Femmina
- Amante di Jimmy
- (as Maria Rosaria Della Femmina)
Trama
Lo sapevi?
- QuizThe film's editor was Ruggero Mastroianni, Marcello Mastroianni's brother.
- BlooperAt approximately 19 mn into the movie and again at approximately 1h18 mn, Goldberg, the roommate of Jimmy Wren (Ken Marshall), is seen reading an issue of the comic book "Batman". However the cover is clearly shown and is in fact that of issue N°257, published in August 1974, ie 31 years after the events of the movie.
- ConnessioniFeatured in Napoli '44 (2016)
- Colonne sonoreLa Pelle
written by Roberto De Simone
sung by Maria Kelly
recorded on "La Gatta Cenerentola"
published by La voce del padrone; EMI Italiana
Recensione in evidenza
I still remember the impact of Curzio Malaparte's novels Kaputt (1944) and La Pelle = The Skin (1949) when released in Spanish translation in Buenos Aires in the early fifties. Even if translations were hasty and incomplete, both books, especially The Skin became instant best sellers, in spite of (or because) their condemnation by the Catholic Church.
The Skin begins in 1943, with Italy freshly exited from the Axis Powers and Allied forces consolidating their control of the devastated, bombed out and utterly impoverished city of Naples; there is no food outside the black market, no gainful employment except prostitution, extortion and theft and people die daily of malnutrition or of curable diseases without medical aid. Although not at the top of the literary heap, The Skin had enduring success and became something of a legend, perhaps because it showed the American occupying army in a vastly different (and probably more realistic) light than Life and Selections of the Reader's Digest.
If noting else, The Skin is a book difficult to forget once read. It influenced many writers, among them Joseph Heller in Catch-22 (1961). Conversely, this movie, released in 1981 brings frequently to mind the 1970 Catch-22 movie.
I did not particularly like the movie. It is too long, it puts episode after episode on screen without special relief and seems to take pride in the atrocious and the gory for no reason I can see except to cement Cavani's reputation as a shocking director earned in The Night Porter (1974). Some characters (like General Clark or Mrs. Wyatt) are made of clichés. Fine actors (Mastroianni, Lancaster, Cardinale) are around but only the first is used to the measure of his skills.
As to the copy I streamed, obviously one would expect Americans and Italians speak their own language among them but my device offered only one option: all Italian, subtitled. One misses Lancaster's real voice.
The Skin begins in 1943, with Italy freshly exited from the Axis Powers and Allied forces consolidating their control of the devastated, bombed out and utterly impoverished city of Naples; there is no food outside the black market, no gainful employment except prostitution, extortion and theft and people die daily of malnutrition or of curable diseases without medical aid. Although not at the top of the literary heap, The Skin had enduring success and became something of a legend, perhaps because it showed the American occupying army in a vastly different (and probably more realistic) light than Life and Selections of the Reader's Digest.
If noting else, The Skin is a book difficult to forget once read. It influenced many writers, among them Joseph Heller in Catch-22 (1961). Conversely, this movie, released in 1981 brings frequently to mind the 1970 Catch-22 movie.
I did not particularly like the movie. It is too long, it puts episode after episode on screen without special relief and seems to take pride in the atrocious and the gory for no reason I can see except to cement Cavani's reputation as a shocking director earned in The Night Porter (1974). Some characters (like General Clark or Mrs. Wyatt) are made of clichés. Fine actors (Mastroianni, Lancaster, Cardinale) are around but only the first is used to the measure of his skills.
As to the copy I streamed, obviously one would expect Americans and Italians speak their own language among them but my device offered only one option: all Italian, subtitled. One misses Lancaster's real voice.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Skin
- Luoghi delle riprese
- Casa Malaparte, Isle of Capri, Napoli, Campania, Italia(Villa of the main character, Curzio Malaparte)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 11 minuti
- Mix di suoni
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