Un ragazzo problematico trova il coraggio di aiutare un alieno simpatico a fuggire dalla Terra e tornare sul suo pianeta natale.Un ragazzo problematico trova il coraggio di aiutare un alieno simpatico a fuggire dalla Terra e tornare sul suo pianeta natale.Un ragazzo problematico trova il coraggio di aiutare un alieno simpatico a fuggire dalla Terra e tornare sul suo pianeta natale.
- Vincitore di 4 Oscar
- 52 vittorie e 38 candidature totali
Robert MacNaughton
- Michael
- (as Robert Macnaughton)
C. Thomas Howell
- Tyler
- (as Tom Howell)
David M. O'Dell
- Schoolboy
- (as David O'Dell)
David Berkson
- Medical Unit
- (as David Berkson M.D.)
David Carlberg
- Medical Unit
- (as David Carlberg Ph.D.)
Milt Kogan
- Medical Unit
- (as Milt Kogan M.D.)
Alexander Lampone
- Medical Unit
- (as Alexander Lampone M.D.)
Trama
Lo sapevi?
- QuizMost of the full-body puppetry was performed by a 2'10" tall stuntman, but the scenes in the kitchen were done using a 12-year-old boy who was born without legs but was an expert on walking on his hands.
- BlooperWhen "Keys" goes inside the Clean room created for E.T. and Elliott, he and others wear a "Clean Suit", but the tubes coming out of the helmet go nowhere, not even a filter, meaning they are breathing contaminated air and that the suit is useless.
- Citazioni
[last lines]
E.T.: Come...
Elliot: [solemnly] Stay...
E.T.: [puts his finger to his glowing heart] Ouch.
Elliot: [mimics the same action, tearfully] Ouch.
E.T.: [E.T. and Elliot embrace each other, then E.T. puts his glowing finger to Elliot's forehead] I'll... be... right... here.
Elliot: [tearfully] ... bye.
- Curiosità sui creditiThe Universal logo animates backwards in the original 1982 cut.
- Versioni alternativeOn the VHS version when E.T. is watching the Tom and Jerry cartoon, he gasps and starts yelling. The original version and 20th anniversary have him scream like he's scared after the gasp.
- ConnessioniEdited into The Dream (2010)
Recensione in evidenza
Whilst visiting Earth an Alien is accidentally left behind and strikes up a friendship with a young boy.
The story centres around E.T. and his relationship with three children in a family where the parents are divorced and the father is not around. Much has been written about how autobiographical the movie is about Spielberg's own childhood and lots of unique little moments along these lines are captured in the most cinematic way possible. In fact some of the strongest scenes involve simple interaction between the family and their friends. These are not idealised Hollywood versions of families, but natural slices of suburban life that always feel real.
E.T.'s arrival and the events that follow help to fill the emptiness in the heart of the youngest son Elliott and they soon form a psychic bond together. Peace, tolerance and communication are explored constantly as we see visuals and hear dialogue connected to these themes throughout the movie.
We see everything from E.T.'s perspective and share his experience as an alien visitor in a strange world. Nothing is explained, because what we see with our own eyes tells us everything we need to know. In fact the visuals are so powerful there was very little I had to explain to my three year old companion as she watched it with me.
Everything builds towards a spectacular climax, which is one of the greatest scenes in cinematic history. Again very little is said as this wonderfully emotional sequence very efficiently breaks our hearts.
I didn't care much for E.T. during the 80s. I think it's because I was conditioned from a very young age by more violent and action orientated movies. Also, my mother was quite enthusiastic about it which back then could scrape the cool off most things. It was not until I was pushing forty with a three year old daughter that my perspective changed forever.
Well done Mr Spielberg, probably your finest moment.
The story centres around E.T. and his relationship with three children in a family where the parents are divorced and the father is not around. Much has been written about how autobiographical the movie is about Spielberg's own childhood and lots of unique little moments along these lines are captured in the most cinematic way possible. In fact some of the strongest scenes involve simple interaction between the family and their friends. These are not idealised Hollywood versions of families, but natural slices of suburban life that always feel real.
E.T.'s arrival and the events that follow help to fill the emptiness in the heart of the youngest son Elliott and they soon form a psychic bond together. Peace, tolerance and communication are explored constantly as we see visuals and hear dialogue connected to these themes throughout the movie.
We see everything from E.T.'s perspective and share his experience as an alien visitor in a strange world. Nothing is explained, because what we see with our own eyes tells us everything we need to know. In fact the visuals are so powerful there was very little I had to explain to my three year old companion as she watched it with me.
Everything builds towards a spectacular climax, which is one of the greatest scenes in cinematic history. Again very little is said as this wonderfully emotional sequence very efficiently breaks our hearts.
I didn't care much for E.T. during the 80s. I think it's because I was conditioned from a very young age by more violent and action orientated movies. Also, my mother was quite enthusiastic about it which back then could scrape the cool off most things. It was not until I was pushing forty with a three year old daughter that my perspective changed forever.
Well done Mr Spielberg, probably your finest moment.
- snoozejonc
- 3 set 2020
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- E. T. El extraterrestre
- Luoghi delle riprese
- 7121 Lonzo Street, Tujunga, Los Angeles, California, Stati Uniti(Elliott's home)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 439.454.989 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.835.389 USD
- 13 giu 1982
- Lordo in tutto il mondo
- 797.307.407 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Dolby Stereo(original theatrical version)
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