At the time of the 'Endangered Species' initial 1982 release there had been 10,000 recorded cases of cattle mutilation, small change when compared to McDonald's daily apocalypse, but perhaps the macabre singularity of these bizarre, apparently random bovine evisceration's would prove to be more of a film-worthy premise for Alan Rudolph's enjoyably black-hatted conspiracy thriller,'Endangered Species'. Featuring two of the more resolutely 80s-looking movie stars; tall, rugged housewives favourite, Robert Urich and America's winsome sweetheart JoBeth Williams as the frisson-creating, diametrically opposed picture perfect couple, both drawn inexorably together by the magnetic movie magic of 'hooray for Hollywood' screenwriting!
The curve-balling, faintly spooky tale unfolds with creditable alacrity after the initially esoteric mysteries concerning these ominously precise livestock mutilations bring the vexed town's higher echelon into vociferous ferment. With anxious, newly elected sheriff Harriet Perdue (JoBeth Williams), stalwart newspaperman (Paul Dooley), boorish, appropriately bovine patriot Ben (Hoyt Axton) and fleet-fisted wild card ex-city cop Reuben (Urich) all discovering that the rapidly moving lights in the night sky, the inexplicably undisturbed earth around the meticulously gored cattle's ruinous remains, and the confounding post-mortem anomalies, mysteriously suggest the reality of a deeply corrupting conspiracy, perhaps, far stranger than any of them could have previously imagined!
Director Alan Rudolph has always been a class act, and being so fruitfully blessed with such a solid, chaff-free script and a uniformly excellent cast, 'Endangered Species' winningly remains an exciting, thought provoking, proto-X-Files 80s feature that still provides fun, attention-grabbing entertainment for avid Sci-thriller fans young and old! Seen today, 'Endangered Species' has the added boon of giving contemporary, conspiracy-hungry audiences a neat-o submersion into warmly fuzzy 80s genre movie nostalgia, zestfully charged with the energizing, neon-hazed synthesizer score by composer, Gary Wright which is a pleasurably pulse-pounding, adrenaline-spiking, Paul Hertzog-sounding dream!
