Quando un uomo sfugge alla convinzione dopo aver violentato molte donne, le sue vittime decidono di prendere giustizia nelle proprie mani.Quando un uomo sfugge alla convinzione dopo aver violentato molte donne, le sue vittime decidono di prendere giustizia nelle proprie mani.Quando un uomo sfugge alla convinzione dopo aver violentato molte donne, le sue vittime decidono di prendere giustizia nelle proprie mani.
Peter Liapis
- Jim Buchanan
- (as Peter Lapis)
Leslie Scarborough
- Melinda McGee
- (as Leslie Huntly)
Trama
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- QuizIn an interview on The Tonight Show with Jay Leno (1992) in the mid-'90s, Martin Landau mentioned this movie and The Being (1981) as the movies he was most embarrassed about appearing in.
- Versioni alternativeThe original version, named "W.A.R", received an X rating from the MPAA because of some "offensive" female frontal nudity. Dave Eddy was hired to cut out the offensive portions as well as remove about 3 minutes from the first reel of the film. It was retitled "Death Blow" from "W.A.R" after some theatre owners who were showing it complined that they thought it was a movie about the Vietnam conflict.
- ConnessioniReferenced in Scappa ragazza scappa (1989)
Recensione in evidenza
Director Nussbaum's grim, frequently mean-spirited revenge drama certainly starts out as it means to go on with an aggressively nasty, seemingly arbitrary assault on a young courting couple innocently parked on an isolated stretch of beach. Once done with their foulness, the two asinine, preppie-looking skells callously drive over her boyfriend before tearing off in their ostentatious Mercedes, thereby leaving the justifiably distraught, Judy (Lisa London) to dazedly pick up the pieces, ultimately given very little support from a bureaucratic, slow-moving system that frequently demonizes the victims and awards shockingly lenient sentences to the perpetrators of these unspeakable crimes!
While sleazy and exploitative, 'Death Blow' is certainly not without a creditable social conscience, having a remarkably weighty cast of B-Movie titans including, Frank Stallone as slimy DA Taggart, the ubiquitously grotty, Buck Flowers playing the especially disgusting, curb-crawling creepozoid, Willard, and the estimable, Martin Landau as the inflexible, somewhat Draconian Judge Shaw whose decidedly more progressive, pragmatic-minded daughter, Helen (Donna Denton) takes a much harder line against those monsters who commit violent crimes against women, featuring a horrifically lurid turn by, Don Swayze as the stone cold, pure nightmare sleaze-merchant, Andy with his altogether reprehensible penchant for frequently abusing chloroform to satiate his vile, unconscionable proclivities!
It would be fair to state that 'Death Blow' is an uneasy B-Movie melange of rabble rousing 'message movie of the week' polemics and sordid, greasy-fingered, frequently exploitative grindhouse fare, which most certainly still provides some substantially grist-worthy food for thought. Surely it is long overdue for some bright spark to rescue this vivid, VHS-era oddity from its current obscurity, as its powerful message remains disturbingly relevant. And, again, it cannot be overstated how uncommonly despicable, Swayze and Flowers are here, looking as though they were in training for 'They Call Her One Eye'! 'Death Blow' is a melodramatic, highly charged 80s vigilante movie with a social conscience; these women didn't simply wait to be ignored by a corrupt, patriarchal justice system they unflinchingly administered the hard line sentences these serial abusers deserved. No Appeal! No Remorse!... No Chance!
While sleazy and exploitative, 'Death Blow' is certainly not without a creditable social conscience, having a remarkably weighty cast of B-Movie titans including, Frank Stallone as slimy DA Taggart, the ubiquitously grotty, Buck Flowers playing the especially disgusting, curb-crawling creepozoid, Willard, and the estimable, Martin Landau as the inflexible, somewhat Draconian Judge Shaw whose decidedly more progressive, pragmatic-minded daughter, Helen (Donna Denton) takes a much harder line against those monsters who commit violent crimes against women, featuring a horrifically lurid turn by, Don Swayze as the stone cold, pure nightmare sleaze-merchant, Andy with his altogether reprehensible penchant for frequently abusing chloroform to satiate his vile, unconscionable proclivities!
It would be fair to state that 'Death Blow' is an uneasy B-Movie melange of rabble rousing 'message movie of the week' polemics and sordid, greasy-fingered, frequently exploitative grindhouse fare, which most certainly still provides some substantially grist-worthy food for thought. Surely it is long overdue for some bright spark to rescue this vivid, VHS-era oddity from its current obscurity, as its powerful message remains disturbingly relevant. And, again, it cannot be overstated how uncommonly despicable, Swayze and Flowers are here, looking as though they were in training for 'They Call Her One Eye'! 'Death Blow' is a melodramatic, highly charged 80s vigilante movie with a social conscience; these women didn't simply wait to be ignored by a corrupt, patriarchal justice system they unflinchingly administered the hard line sentences these serial abusers deserved. No Appeal! No Remorse!... No Chance!
- Weirdling_Wolf
- 10 mar 2021
- Permalink
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By what name was W.A.R.: Women Against Rape (1987) officially released in India in English?
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