VALUTAZIONE IMDb
6,3/10
1110
LA TUA VALUTAZIONE
Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".
Attila Lõte
- Professor Roth
- (as Lote Attila)
Trama
Lo sapevi?
- QuizThe original script for this movie, written by Tonino Cervi, Riccardo Aragno and Cesare Frugoni, dated from a few years earlier its release. As director Gianfranco Giagni explained, "It seemed a bit dated to me, so I called scriptwriter Gianfranco Manfredi and together we tried to give it a more modern framing story." Firstly, Giagni and Manfredi changed the setting from Venice to Budapest, frequently visited by Italian cinema in those years: "It is a city with many Gothic elements, with disquieting buildings in an apparently rational context ... cities like Budapest, Prague or Sarajevo suggest a sense of anxiety: behind their 'normality' there lies in fact a hidden 'abnormality."
Recensione in evidenza
This largely unknown Italian horror movie encapsulates the best of Italian horror. We've got Giallo elements, supernatural elements, surreal ambiance and a dark, sinister plot. Despite a lovely murder scene that takes place in the middle of a load of bed sheets, the first half of the film is largely rather uninspiring; but as the film moves on, it mutates into one of the most grisly assaults that I've ever seen from Italy. Many people that have seen this movie have labelled it a Giallo, and while the film does have it's Giallo moments in the first half - I'd put Spider Labyrinth in with the robust Gothic horror films such as Kill Baby Kill, Inferno and Suspiria before listing it amongst the likes of Solange and The Bird With the Crystal Plumage. The plot follows a professor who is sent to stay with a fellow professor for reasons that are always left rather vague. It's not long before his professor host ends up dead, and our hero is being plunged into a world of mystery and sinister cults, which all seems to focus around some strange 'fist-sized' black balls.
Italian horror is well known for not making a lot of sense and this film suffers from a screenplay that adheres to that 'rule'. The intrigue is generated towards the start mainly because of the fact that the film is so difficult to follow, but once the film enters it's more satisfying second half, these problems are somewhat resolved. Even while the film isn't making a whole lot of sense, however, it still remains interesting by way of its atmosphere. Atmosphere tends to be more important in this sort of film anyway, so the fact that this one relies on it is largely to its credit. The beautiful Italian locations are well shot and the lighting in the scenes indoors gives the film exactly the right mood. The underground scenes towards the end represent the film's strongest location shoots, and are one of the main reasons why it ultimately succeeds. The special effects look extremely cheap and are mostly stop-motion. However, they're really disgusting also, and the final scene; even though the 'monster' is a doll, really is nightmarish. Overall, I could easily understand anyone that doesn't like Spider Labyrinth; but it hit the nail on the head for me, and I definitely recommend it to my fellow Italian horror cinema fans!
Italian horror is well known for not making a lot of sense and this film suffers from a screenplay that adheres to that 'rule'. The intrigue is generated towards the start mainly because of the fact that the film is so difficult to follow, but once the film enters it's more satisfying second half, these problems are somewhat resolved. Even while the film isn't making a whole lot of sense, however, it still remains interesting by way of its atmosphere. Atmosphere tends to be more important in this sort of film anyway, so the fact that this one relies on it is largely to its credit. The beautiful Italian locations are well shot and the lighting in the scenes indoors gives the film exactly the right mood. The underground scenes towards the end represent the film's strongest location shoots, and are one of the main reasons why it ultimately succeeds. The special effects look extremely cheap and are mostly stop-motion. However, they're really disgusting also, and the final scene; even though the 'monster' is a doll, really is nightmarish. Overall, I could easily understand anyone that doesn't like Spider Labyrinth; but it hit the nail on the head for me, and I definitely recommend it to my fellow Italian horror cinema fans!
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