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Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".Alan Whitmore, un giovane ricercatore americano, si reca a Budapest per visitare il professor Roth, con il quale ha collaborato a un progetto segreto chiamato "Intextus".
Attila Lõte
- Professor Roth
- (as Lote Attila)
Trama
Lo sapevi?
- QuizThe original script for this movie, written by Tonino Cervi, Riccardo Aragno and Cesare Frugoni, dated from a few years earlier its release. As director Gianfranco Giagni explained, "It seemed a bit dated to me, so I called scriptwriter Gianfranco Manfredi and together we tried to give it a more modern framing story." Firstly, Giagni and Manfredi changed the setting from Venice to Budapest, frequently visited by Italian cinema in those years: "It is a city with many Gothic elements, with disquieting buildings in an apparently rational context ... cities like Budapest, Prague or Sarajevo suggest a sense of anxiety: behind their 'normality' there lies in fact a hidden 'abnormality."
Recensione in evidenza
Il nido del ragno, or The Spider Labyrinth, is an intriguing yet imperfect addition to the horror genre. With a runtime of just 86 minutes, this 1988 Italian film directed by Gianfranco Giagni weaves a tale of mystery and intrigue, centered around a secretive and sinister cult.
The story follows Alan Whitmore, a professor of Eastern religions, who embarks on a journey to Budapest to investigate the whereabouts of his colleague, Professor Roth. Whitmore manages to track down Roth, only to find him hanged in his room soon after. From here, the film descends into a web of dark and twisted events as Whitmore becomes entangled with a mysterious secret society.
One of the film's strengths lies in its atmosphere and visual style. Cinematographer Nino Celeste captures the eerie and otherworldly tone of the story, with a particular eye for shadow and composition. The film's pacing is also well executed, with a slow burn that builds tension effectively. The first 40 minutes are light on gore, focusing instead on establishing the story and characters, which is a bold and unusual choice for the horror genre.
However, once the gore does arrive, it is intense and memorable. Special effects artist Sergio Stivaletti ensures that these scenes are both shocking and beautifully crafted. These moments are also where the film draws comparisons to the work of renowned horror directors Dario Argento and Mario Bava, with similar stylistic flourishes and a penchant for creative violence.
While the film has a compelling premise and impressive visuals, the script, written by Tonino Cervi, Riccardo Aragno, Cesare Frugoni, and Gianfranco Manfredi, feels dated. Despite director Giagni's attempts to modernize the story, some elements feel stale and familiar. The plot also becomes convoluted at times, with certain narrative threads feeling underdeveloped or left hanging.
The acting is serviceable, with Roland Wybenga as Whitmore delivering a performance that anchors the film. However, the supporting cast, including Stéphane Audran, don't always convince, with some stilted deliveries that may be due in part to the script's shortcomings.
Overall, Il nido del ragno is a film that will appeal to fans of atmospheric horror and those who appreciate a well-crafted gore scene. While it has its flaws, there is enough here to satisfy viewers seeking a unique and visually engaging horror experience.
The story follows Alan Whitmore, a professor of Eastern religions, who embarks on a journey to Budapest to investigate the whereabouts of his colleague, Professor Roth. Whitmore manages to track down Roth, only to find him hanged in his room soon after. From here, the film descends into a web of dark and twisted events as Whitmore becomes entangled with a mysterious secret society.
One of the film's strengths lies in its atmosphere and visual style. Cinematographer Nino Celeste captures the eerie and otherworldly tone of the story, with a particular eye for shadow and composition. The film's pacing is also well executed, with a slow burn that builds tension effectively. The first 40 minutes are light on gore, focusing instead on establishing the story and characters, which is a bold and unusual choice for the horror genre.
However, once the gore does arrive, it is intense and memorable. Special effects artist Sergio Stivaletti ensures that these scenes are both shocking and beautifully crafted. These moments are also where the film draws comparisons to the work of renowned horror directors Dario Argento and Mario Bava, with similar stylistic flourishes and a penchant for creative violence.
While the film has a compelling premise and impressive visuals, the script, written by Tonino Cervi, Riccardo Aragno, Cesare Frugoni, and Gianfranco Manfredi, feels dated. Despite director Giagni's attempts to modernize the story, some elements feel stale and familiar. The plot also becomes convoluted at times, with certain narrative threads feeling underdeveloped or left hanging.
The acting is serviceable, with Roland Wybenga as Whitmore delivering a performance that anchors the film. However, the supporting cast, including Stéphane Audran, don't always convince, with some stilted deliveries that may be due in part to the script's shortcomings.
Overall, Il nido del ragno is a film that will appeal to fans of atmospheric horror and those who appreciate a well-crafted gore scene. While it has its flaws, there is enough here to satisfy viewers seeking a unique and visually engaging horror experience.
- CinematicLion
- 5 lug 2024
- Permalink
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