VALUTAZIONE IMDb
7,5/10
24.140
LA TUA VALUTAZIONE
Un ex artista di circo fugge da un ospedale psichiatrico per tornare con la madre senza braccia - capo di uno strano culto religioso - ed è costretto ad eseguire brutali omicidi in suo nome ... Leggi tuttoUn ex artista di circo fugge da un ospedale psichiatrico per tornare con la madre senza braccia - capo di uno strano culto religioso - ed è costretto ad eseguire brutali omicidi in suo nome mentre diventa "le sue braccia".Un ex artista di circo fugge da un ospedale psichiatrico per tornare con la madre senza braccia - capo di uno strano culto religioso - ed è costretto ad eseguire brutali omicidi in suo nome mentre diventa "le sue braccia".
- Premi
- 1 vittoria e 9 candidature
Mary Aranza
- Fat Prostitute
- (as Ma. De Jesus Aranzabal)
Jesús Juárez
- Aladin
- (as Jesus Juarez)
Joaquín García Vargas
- Box-Office Attendant
- (as Borolas)
Edgar E. Jiménez Nava
- Monsignor's Chauffeur
- (as Edgar E. Jimenez Nava)
Trama
Lo sapevi?
- QuizAlejandro Jodorowsky's sons Adan Jodorowsky & Axel Jodorowsky both play the part of Fenix at different ages.
- BlooperWhen the elephant is dying, all the close-ups of its trunk bleeding show the trunk to be clean. All the long shots of the elephant show it's trunk covered in blood.
- Curiosità sui crediti[over the final freeze-frame] I stretch out my hands to thee: my soul thirsts for thee like a parched land ... Teach me the way I should go, for to thee I lift up my soul. - Psalms 143.6, 8
- Versioni alternativeThe US has two versions available on video: the R-rated version, which runs about 120 minutes, and the NC-17 version, which is about 123 minutes (the one released uncut in Britain and other European countries). The differences between the two are hardly noticeable except for two scenes - the first scene being the dismemberment of the mother. In the NC-17 version, there are extra cuts of blood and gore spraying on the walls, and then we also see a few extra shots of blood spurting out of the father's neck shortly after he commits suicide (we see this from behind; a startlingly un-explicit shot to be considered NC-17 material). The other scene is even more noticeable. The death of the prostitute is much more explicit in the NC-17 version: we see many shots of her being graphically stabbed in the back and chest with loads of blood literally dumping out of her wounds. Then, we briefly see the knife stab through the back of her neck and poke out the front - all in one explicit shot. Practically the entire scene is missing in the R-rated version.
- Colonne sonoreCaballo negro
Composed by Dámaso Pérez Prado
Recensione in evidenza
I remember seeing this movie in 1990 in a tiny cinema in London, on a date. As we walked from the theater and got on the tube, neither of us said a word for 20 minutes. Finally, she said, "you have a strange taste in films."
Back then, I was heavily into Luis Bunuel. This was one of the few post-Bunuel movies that embodied the essential creepiness and odd humor of the Surrealists (the other one that comes to mind is "Videodrome"). There's the obvious Freudian stuff, the obvious shock stuff, but leaving all that aside, there are indelible moments of cinematic poetry. The elephant; the son's arms; the final shot. It feels, more than 10 years later, like a repressed dream/nightmare.
I don't consider this a "horror" movie, in the sense that there are no slasher, monster, alien, demon, zombie, cannibal, haunted house, supernatural, dread disease, or giallo elements. I don't remember this movie being particularly scary or gory; just creepy. Maybe it's in a similar genre to "Eyes Without a Face," but only in the sense that both movies deal with mutilation and revenge. (Then again, I remember seeing "Un Chien Andalou" and "In the Realm of the Senses" in the horror section of a video store -- a sign of either ignorance or insight, I could never figure out.) This one truly belongs in the Foreign Films section, but not just for being non-Hollywood.
Back then, I was heavily into Luis Bunuel. This was one of the few post-Bunuel movies that embodied the essential creepiness and odd humor of the Surrealists (the other one that comes to mind is "Videodrome"). There's the obvious Freudian stuff, the obvious shock stuff, but leaving all that aside, there are indelible moments of cinematic poetry. The elephant; the son's arms; the final shot. It feels, more than 10 years later, like a repressed dream/nightmare.
I don't consider this a "horror" movie, in the sense that there are no slasher, monster, alien, demon, zombie, cannibal, haunted house, supernatural, dread disease, or giallo elements. I don't remember this movie being particularly scary or gory; just creepy. Maybe it's in a similar genre to "Eyes Without a Face," but only in the sense that both movies deal with mutilation and revenge. (Then again, I remember seeing "Un Chien Andalou" and "In the Realm of the Senses" in the horror section of a video store -- a sign of either ignorance or insight, I could never figure out.) This one truly belongs in the Foreign Films section, but not just for being non-Hollywood.
- daiskeyoshida
- 21 lug 2002
- Permalink
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Dettagli
Botteghino
- Budget
- 787.000 USD (previsto)
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Santa Sangre - Sangue Santo (1989) officially released in India in English?
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