VALUTAZIONE IMDb
5,5/10
18.293
LA TUA VALUTAZIONE
Dopo essere stato mandato sulla sedia elettrica, un serial killer usa l'elettricità per tornare dai morti e compiere la sua vendetta sul giocatore di football che lo ha consegnato alla poliz... Leggi tuttoDopo essere stato mandato sulla sedia elettrica, un serial killer usa l'elettricità per tornare dai morti e compiere la sua vendetta sul giocatore di football che lo ha consegnato alla polizia.Dopo essere stato mandato sulla sedia elettrica, un serial killer usa l'elettricità per tornare dai morti e compiere la sua vendetta sul giocatore di football che lo ha consegnato alla polizia.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura
Camille Cooper
- Alison Clement
- (as Cami Cooper)
Trama
Lo sapevi?
- QuizAccording to Wes Craven, the film was severely cut for an R-rating. It took around 13 submissions to the MPAA to receive an R instead of an X rating. Some of the scenes that were cut include: Pinker spitting out fingers that he bit off from prison guard, longer and more graphic electrocution of Pinker, and longer scene of possessed coach stabbing his own hand.
- BlooperCamera and sound crews' shadows visible during football game.
- Citazioni
Jonathan Parker: We can't go killing people just to get Pinker out of their bodies.
- Curiosità sui creditiThe music in the end credits is heard ending over the MPAA Rated R screen.
- Versioni alternativeWhile uncut in cinemas, on video it was later indexed by the BPjM. As a result, an edited FSK-16 rated version was made for a wide commercial video release in Germany. This one contains over 4 minutes of cuts for violence, either reducing or outright removing the many violent bits, making the movie pretty much unwatchable. Only in 2016 was the indexing lifted, and one year later the uncut version was granted a FSK-16 rating, waiving all cuts from previous cut German releases.
- ConnessioniFeatured in Gorgon Video Magazine (1989)
- Colonne sonoreSword and Stone
Performed by Bonfire
Written by Desmond Child, Paul Stanley and Bruce Kulick
Courtesy of BMG Ariola GmbH/RCA Records
Recensione in evidenza
Wes Cravens' "Shocker" is often one of the more derided in the directors' career, but in this own reviewers' humble opinion, it still manages to be pretty entertaining, even as it gets awfully silly and keeps wavering between a serious, sombre tone and an insane, over the top one. It doesn't help that it's too obvious that Craven was trying to create another Freddy Krueger in the form of raving maniac Horace Pinker, a savage psychopath played to foaming-at-the-mouth perfection by Mitch Pileggi, eventually to become better known for playing Skinner on 'The X-Files'.
Pinker's on the loose, slaughtering whole families, but opposing him is college football star Jonathan Parker (a remarkably sincere Peter Berg), a nice guy who was raised by a police lieutenant (Michael Murphy). Jonathan and Horace, who are connected in a way that the younger man doesn't anticipate, are also psychically linked, and Jonathan is able to give the cops his name and place of business and before too long the killer is caught and executed.
But the story doesn't end there, as Pinker, in league with Satan, "survives" the electric chair and lives on to overtake various unlucky people and control their bodies, including, in the movies' most memorable sequence, a little girl. How can one hold in their laughter watching this blonde haired moppet curse like a sailor, and try to operate a bulldozer?
Ultimately, the movie is a little too absurd for its own good, but damn if it doesn't have some good atmosphere, show off some amusing ideas, and go overboard on the bloodshed. One particular murder scene is just drenched in the red stuff. One of the methods used to combat Horace is pure corn, involving Jonathans' love for girlfriend Alison (Camille Cooper) and an all-important locket. The best stuff is the wonderfully ridiculous climax in which a rampaging Horace and Jonathan run amok through TV programming (they end up in an episode of 'Leave it to Beaver' where Jonathan pleads for the Beavers' help). This does show some invention, and the special effects are effectively cheesy. (One has to love the "You got it, baby!" moment.)
The cast is extremely game throughout this thing; also popping up are Ted Raimi as an assistant coach, Vincent Guastaferro ("Jason Lives: Friday the 13th Part VI") as a victimized cop, Heather Langenkamp in a tiny, non-speaking cameo as a murder victim, Richard Brooks ('Law and Order') as football player Rhino, Ernie Lively as the warden, rock guitarist Kane Roberts also doing the cameo thing as a road worker, and Cravens' kids Jessica and Jonathan in bits. The heavy metal soundtrack adds to the fun.
Overall, this may not be something this reviewer would necessarily consider "good", but it's still something of a hoot, and may keep some people watching out of sheer disbelief.
Six out of 10.
Pinker's on the loose, slaughtering whole families, but opposing him is college football star Jonathan Parker (a remarkably sincere Peter Berg), a nice guy who was raised by a police lieutenant (Michael Murphy). Jonathan and Horace, who are connected in a way that the younger man doesn't anticipate, are also psychically linked, and Jonathan is able to give the cops his name and place of business and before too long the killer is caught and executed.
But the story doesn't end there, as Pinker, in league with Satan, "survives" the electric chair and lives on to overtake various unlucky people and control their bodies, including, in the movies' most memorable sequence, a little girl. How can one hold in their laughter watching this blonde haired moppet curse like a sailor, and try to operate a bulldozer?
Ultimately, the movie is a little too absurd for its own good, but damn if it doesn't have some good atmosphere, show off some amusing ideas, and go overboard on the bloodshed. One particular murder scene is just drenched in the red stuff. One of the methods used to combat Horace is pure corn, involving Jonathans' love for girlfriend Alison (Camille Cooper) and an all-important locket. The best stuff is the wonderfully ridiculous climax in which a rampaging Horace and Jonathan run amok through TV programming (they end up in an episode of 'Leave it to Beaver' where Jonathan pleads for the Beavers' help). This does show some invention, and the special effects are effectively cheesy. (One has to love the "You got it, baby!" moment.)
The cast is extremely game throughout this thing; also popping up are Ted Raimi as an assistant coach, Vincent Guastaferro ("Jason Lives: Friday the 13th Part VI") as a victimized cop, Heather Langenkamp in a tiny, non-speaking cameo as a murder victim, Richard Brooks ('Law and Order') as football player Rhino, Ernie Lively as the warden, rock guitarist Kane Roberts also doing the cameo thing as a road worker, and Cravens' kids Jessica and Jonathan in bits. The heavy metal soundtrack adds to the fun.
Overall, this may not be something this reviewer would necessarily consider "good", but it's still something of a hoot, and may keep some people watching out of sheer disbelief.
Six out of 10.
- Hey_Sweden
- 1 set 2012
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Shocker
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.554.699 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.510.990 USD
- 29 ott 1989
- Lordo in tutto il mondo
- 16.554.699 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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