In big, bold white text; David Hasselhoff in... Not without my puma, and call him Felix. Comedic hilarity ensured. Almost in the same league as Chuck Norris and his scene stealing armadillo. Felix definitely deserved that second billing. Also starring John Saxon, like you have never seen him before, a menacingly uptight albino head honcho biker(!?). Those black shades he wears didn't make it look any less conspicuous. If he didn't open his mouth, you wouldn't know.. Glad he does though, as he gets some choice dialogues. And rounding it off is the all talking Bo Hopkins mugging every scene with his bombastic yelling, and bellowing laughter. When the latter two came together (henchman & boss), it always felt like there was some sort in-joke that they only knew about, because it was just so much fun whenever they shared the screen.
"THE FINAL ALLIANCE" (and how does this title tie in to what I'm seeing?) is a cheapjack, straight-to-video action vehicle for a stoic Hasselhoff to show off his styled stubble, leather jacket, close fitting jeans, wicked cowboy hat and to obviously let loose. Well, it doesn't entirely stretch the imagination, as the theme of the plot (an unknown stranger makes himself at home in a small corrupt country town to clean up , but there's also another ulterior motive driving him), has been milked over and over again, but it's absurdly trashy and harebrained (like Hasselhoff and Moore getting their priorities mixed up, as they reinforce their love for each other at the very wrong time) to make this trite entertaining enough that you simply chew up everything about it.
While violent at times (head trauma), for most part its light-weight (due to the humor making light of many situations and the biker cronies even with their nunchucks and chains came off more so bumbling, than threatening), yet there are some boisterous action set-pieces (road chases, booby trapped homestead, assault on an airport hanger) and harmful stunt-work (fire and shotgun don't mix). Mario DiLeo's homespun direction never lets hit a bump either, by keeping it simple-minded and moving at a fast clip. But slow-motion was sorely under-used, only one sequence, still it's a powerful moment due to the circumstance surrounding it. Surely it would bring a tear to your eye.
