VALUTAZIONE IMDb
7,0/10
5555
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story of Patsy Cline, the velvet-voiced country music singer who died in a tragic plane crash at the height of her fame.The story of Patsy Cline, the velvet-voiced country music singer who died in a tragic plane crash at the height of her fame.The story of Patsy Cline, the velvet-voiced country music singer who died in a tragic plane crash at the height of her fame.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 candidature totali
Trama
Lo sapevi?
- QuizAt one point, Charlie asks Patsy what she's done all day, and she responds, "I've been sipping champagne with Kirk Douglas." When the scene was filmed, Jessica Lange actually said, "I've been sipping champagne with Rock Hudson," but Hudson's AIDS diagnosis was revealed before the film was released, and the producers thought a reference to him would be distracting.
- BlooperIn 1957, Patsy is shown listening to Elvis' "Can't Help Falling in Love" on the radio, which wasn't a hit until 1961.
- Citazioni
Charlie Dick: Hey, I want you to get your coat. I want to drive you some place for a drink. I want us to dance awhile, then I want us to get to know each other a lot better.
Patsy Cline: You want a lot don't you?
Charlie Dick: Yeah I do baby.
Patsy Cline: Well people in hell want ice water - that don't mean they get it.
- ConnessioniEdited into Josie and the Pussycats (2001)
- Colonne sonoreWabash Cannonball
Written by J.A. Roff
Performed by Benny Martin
Published by Silverhill Music
Courtesy of C.M.H. Records
Recensione in evidenza
Reality is generally more complicated than any motion picture can possibly convey--and such is the case with SWEET DREAMS, the 1985 bio-pic of singer Patsy Cline, which ran into a firestorm of criticism at the time of its release. For Patsy Cline was not a figure from the remote past. She and her life were extremely well recalled by family, friends, and co-workers, and one and all attacked the film as an extremely inaccurate portrait of her, her husband Charlie, and her life and career.
To a certain extent, the validity of these complaints about the film are a matter of opinion. But it does seem likely that the script softened Cline's harder edges and over-emphasized the stormy nature of her marriage in order to cast her in the role of victim. What isn't opinion is the way the film treats her career: it didn't happen like that, and while the film presents her as a great star at the time of her death in truth she had released only a handful of widely distributed records by 1963--and while some of them were big hits, they weren't quite as big as you might think. Even the celebrated "Sweet Dreams" never made it to the top spot on any music chart, and it was not until well after her death that she received full recognition for her remarkable work.
So instead of truth, or even a good approximation of it, SWEET DREAMS gives us the legend, the folk tale of the rough-and-tumble girl with the big, emotional voice who came from no where, married an abusive husband, and leaped into stardom that was cut short by an untimely death. And as legend, the film works very well.
The weak point of the film is the script, which plays largely to a "domestic drama" aspect and tends to smooth out the characters in a "santized for your protection" sort of way. The direction and cinematography are no great shakes either, and ultimately SWEET DREAMS looks very much like a made-for-television movie. But the cast carries it off in fine style. Jessica Lang looks no more like Patsy Cline than I do, and her lip-scynchs to Cline's work is rather hit-and-miss, but she gives a truly memorable performance; Ed Harris equals her in the role of husband Charlie, and together they create a synergy that has tremendous power. The supporting cast is also quite good, with Ann Wedgeworth a standout in the role of Cline's mother Hilda.
And then there is that soundtrack. Even if you've heard all these songs a thousand times, they're still worth hearing again. Patsy Cline was truly an amazing artist. But the film does something odd with them: the bulk of the story is set during the 1950s, but there is not a 1950s-era Cline vocal to be heard in the entire film, everything is taken from her glory years at MCA between 1960 and 1963. And very often it seemed to me that the original scoring of Cline's songs had been replaced with new arrangements.
And that, ultimately, is rather typical of the film as a whole. Just a little change here, just a little inaccuracy there, and while they all seem slight individually, they add up to a fairly significant distortion collectively. The performances make it worth watching, and they bring it in at a solid four stars. But if you're expecting anything more than the glossy legend of Patsy Cline, you won't find it here.
Gary F. Taylor, aka GFT, Amazon Reviewer
To a certain extent, the validity of these complaints about the film are a matter of opinion. But it does seem likely that the script softened Cline's harder edges and over-emphasized the stormy nature of her marriage in order to cast her in the role of victim. What isn't opinion is the way the film treats her career: it didn't happen like that, and while the film presents her as a great star at the time of her death in truth she had released only a handful of widely distributed records by 1963--and while some of them were big hits, they weren't quite as big as you might think. Even the celebrated "Sweet Dreams" never made it to the top spot on any music chart, and it was not until well after her death that she received full recognition for her remarkable work.
So instead of truth, or even a good approximation of it, SWEET DREAMS gives us the legend, the folk tale of the rough-and-tumble girl with the big, emotional voice who came from no where, married an abusive husband, and leaped into stardom that was cut short by an untimely death. And as legend, the film works very well.
The weak point of the film is the script, which plays largely to a "domestic drama" aspect and tends to smooth out the characters in a "santized for your protection" sort of way. The direction and cinematography are no great shakes either, and ultimately SWEET DREAMS looks very much like a made-for-television movie. But the cast carries it off in fine style. Jessica Lang looks no more like Patsy Cline than I do, and her lip-scynchs to Cline's work is rather hit-and-miss, but she gives a truly memorable performance; Ed Harris equals her in the role of husband Charlie, and together they create a synergy that has tremendous power. The supporting cast is also quite good, with Ann Wedgeworth a standout in the role of Cline's mother Hilda.
And then there is that soundtrack. Even if you've heard all these songs a thousand times, they're still worth hearing again. Patsy Cline was truly an amazing artist. But the film does something odd with them: the bulk of the story is set during the 1950s, but there is not a 1950s-era Cline vocal to be heard in the entire film, everything is taken from her glory years at MCA between 1960 and 1963. And very often it seemed to me that the original scoring of Cline's songs had been replaced with new arrangements.
And that, ultimately, is rather typical of the film as a whole. Just a little change here, just a little inaccuracy there, and while they all seem slight individually, they add up to a fairly significant distortion collectively. The performances make it worth watching, and they bring it in at a solid four stars. But if you're expecting anything more than the glossy legend of Patsy Cline, you won't find it here.
Gary F. Taylor, aka GFT, Amazon Reviewer
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Sweet Dreams?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 9.085.049 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.161.284 USD
- 14 ott 1985
- Lordo in tutto il mondo
- 9.085.049 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Sweet Dreams (1985) officially released in India in English?
Rispondi