Here's a film, I'll always remember seeing that late Farrah for who died a day apart from Michael Jackson. Ironically they were good friends, and one thing that Farrah could do instead of Michael, and that was act. She scorches up the screen here, a raging queen of revenge on her attacker, who has come to attack her, for the second time, invading her home. She scarcely escapes the first attack, a car jacking, where they end up in a discreet parking spot. She manages to get away, leaving her car and wallet behind. With not much help from authorities (der, we've seen it so many times before in rape films) it now becomes a game of waiting, with Farrah, quite on edge, and rightfully so. She does share house with two other women. Diana Scarwid, very good as a wild impulsive sort, and Alfre Woodard, as a more wiser black woman, the only one partially sympathetic to the rapist after the tables are turned, and turned they are. Farrah becomes caught in conflict with her mates who return to find Joe, the battered faced rapist chained up in the fireplace. She wants to kill Joe, on the too probable count, that if tried, and he gets off, he will come at her again. This is a real life situation scenario here, Woodard of course, dead set against the idea. For rape victims, this movie is not for you. It's an intense grueling flick about the rape process, where the consequences for a criminal's acts here are extreme (hence the title) for low class sort, Joe (a wonderful Russo) But it's Farrah who engrosses us, where Extremities is an engrossing and with a wonderfully claustrophobic atmosphere, where indeed it's well shot, where most of the movie is set in Farrah's pad. For some viewers it'll be tough to watch. Too, what's shocking is Russo's admittance, and his intentions, when untied and falling to the floor, where then Scarwid surprisingly becomes sympathetic. Although I really didn't like it's ending Extremities is powerful movie making and far from escapist fare for viewers, wanting to leave reality behind. I would also like to see the play one day, but for now, I'll stick to the movie.
