VALUTAZIONE IMDb
7,2/10
9585
LA TUA VALUTAZIONE
Mentre un virus mortale che infetta le persone che hanno rapporti sessuali senza amore spazza Parigi, un paria solitario tenta di rubare un potente antidoto.Mentre un virus mortale che infetta le persone che hanno rapporti sessuali senza amore spazza Parigi, un paria solitario tenta di rubare un potente antidoto.Mentre un virus mortale che infetta le persone che hanno rapporti sessuali senza amore spazza Parigi, un paria solitario tenta di rubare un potente antidoto.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature
Leos Carax
- Le voyeur du quartier
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJulie Delpy says she came out of filming this movie traumatized: "Yes, it was a very difficult shoot. I had a motorcycle accident. In order to make the insurance work, I wasn't taken to the doctor right away. As a result, my leg became gangrenous - one more day and it was amputation. Moreover Leos Carax was not easy. The actress was not easy either. It was a set of things where I was really traumatized when I got out of this movie. It was at the limit where I wondered if I wanted to continue what. It wasn't a pleasant shoot, no", Delpy unveiled without detour, thus engaging in the passage on 'the actress' that was Juliette Binoche.
- ConnessioniFeatured in À la folie, pas du tout: Episodio datato 16 novembre 1986 (1986)
- Colonne sonoreSimple Symphony Op. 4 - Variation on a theme of Franck Bridge Op. 10
Written by Benjamin Britten
Chandos Records
ed. OXFORD UNIVERSITY PRESS
Recensione in evidenza
This second film by Leos Carax is one which continued his focus on romance between alienated youth. It is a more expansive film than the earlier Boy Meets Girl (1984) but is overall a little less satisfying. More than any of his other films, this one plays around with characters and motives of genre cinema. In this case, we have a heist plot as the basis for what is otherwise typical Carax material. The McGuffin is a sexually transmitted virus that effects people who engage in sex with no emotional involvement. A serum which can cure the disease is locked away in a high security government building. Marc, a gangster in deep debt enlists the services of Alex the teenage son of one of his friends to steal the precious drug. Alex falls in love with Marc's lover Anna.
In all honesty, the crime story was dealt with in a very half-hearted manner. I guess when you consider that the virus is of such an absurdly whimsical nature it's not so surprising that it's not exactly taken very seriously. Like all the other Carax films, you really have to get on board with his very cinematic style to have any chance of appreciating them. This one has its share of expressive moments that happen with little story-based sense but which are highly cinematic such as where Denis Lavant suddenly runs along a street while sound-tracked to David Bowie's 'Modern Love', it's a very typical Carax scene where the character can express his feelings in a manner that is pure cinema. Likewise, the impressively shot parachute scene is also coming from a similar place. On the whole, this is a very visual film with good use of colour throughout. I personally think that this is the least of the 'Alex' trilogy through. It feels a little too uneven and bitty overall, like the director had a lot of ideas but with no coherent plan of how to connect them together effectively. So, I would say that this is ultimately an interesting but flawed film.
In all honesty, the crime story was dealt with in a very half-hearted manner. I guess when you consider that the virus is of such an absurdly whimsical nature it's not so surprising that it's not exactly taken very seriously. Like all the other Carax films, you really have to get on board with his very cinematic style to have any chance of appreciating them. This one has its share of expressive moments that happen with little story-based sense but which are highly cinematic such as where Denis Lavant suddenly runs along a street while sound-tracked to David Bowie's 'Modern Love', it's a very typical Carax scene where the character can express his feelings in a manner that is pure cinema. Likewise, the impressively shot parachute scene is also coming from a similar place. On the whole, this is a very visual film with good use of colour throughout. I personally think that this is the least of the 'Alex' trilogy through. It feels a little too uneven and bitty overall, like the director had a lot of ideas but with no coherent plan of how to connect them together effectively. So, I would say that this is ultimately an interesting but flawed film.
- Red-Barracuda
- 19 nov 2016
- Permalink
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