The Resurrected is a peculiar entry into the Lovecraftian horror genre, and it's a shame that this 1991 film hasn't garnered more attention from horror enthusiasts. It's an oddity, a slow-burn horror that blends neo-noir, science fiction, and supernatural elements, resulting in a somewhat confusing yet intriguing cinematic experience.
This film, directed by Dan O'Bannon of Alien and Return of the Living Dead fame, is a clear labor of love. O'Bannon's influence is evident throughout, with the film bearing the marks of a director passionate about crafting a unique and unsettling experience. Unfortunately, while the film has its merits, it also has its fair share of shortcomings, which may explain why it has flown under the radar for so long.
The Resurrected follows in the footsteps of its director's previous works, boasting impressive practical effects and a gripping, well-paced narrative. The screenplay, by Brent V. Friedman, is a standout feature, seamlessly blending three distinct genres. It's a refreshing change from the often poorly paced and vapid writing of late 80s and early 90s horror. The movie also benefits from strong performances, particularly from Chris Sarandon, who delivers an unhinged and memorable turn.
However, the film's slow pace may be off-putting to some viewers. It often feels more like a TV miniseries that has been condensed, which detracts from the overall impact. While the conclusion is spectacular and justifies the slow burn, with some truly impressive practical effects, the journey there may test the patience of viewers accustomed to faster-paced, more immediate horror thrills.
The Resurrected is a film that divides opinion. It has all the ingredients for a cult classic, but its slow pace and odd tone may deter some from seeing it through to the end. For those willing to embrace its peculiarities, there is much to admire, from the ambitious narrative to the impressive practical effects. However, with a pace that often drags and a story that feels more suited to a longer format, it is easy to see why this film has not achieved wider recognition.
