Schtonk
- 1992
- 1h 55min
VALUTAZIONE IMDb
7,1/10
4112
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe slightly fictionalized story of an art forger, a journalist desperate for a big story, and the biggest press scandal in German history: the Hitler Diaries.The slightly fictionalized story of an art forger, a journalist desperate for a big story, and the biggest press scandal in German history: the Hitler Diaries.The slightly fictionalized story of an art forger, a journalist desperate for a big story, and the biggest press scandal in German history: the Hitler Diaries.
- Candidato a 1 Oscar
- 7 vittorie e 4 candidature totali
Hans-Joachim Hegewald
- Schuhback
- (as Hans Joachim Hegewald)
Trama
Lo sapevi?
- QuizThe title is a reference to Il grande dittatore (1940).
- BlooperWhen Freya von Hepp hands Hermann Willié Göring's bathrobe and offers him to try it on, Willié's answer doesn't match his almost motionless lips.
- Citazioni
Fritz Knobel: [writing Hitler's diary] The superhuman effords of the last days create flatulences in the intestinal and Eva says, I have bad breath.
- ConnessioniFeatured in The 50th Annual Golden Globe Awards (1993)
- Colonne sonorePrologue 1st Act from Lohengrin
Composed by Richard Wagner
Performed by the London Philharmonia (as the New Philharmonic Orchestra London)
Direction by Alfred Scholz
Courtesy of Selected Sound Musikverlag
Recensione in evidenza
Almost 2 hours is a bit two long for its basic story material, hence a film that has wonderful moments and scenes and plenty of satire, but also moments of boredom in which nothing (new) happens. Certainly successful in portraying the circumstances in which a forger could produce the notorious Hitler Diaries (it happened in 1983 and not only German press but the press world wide walked into the trap), the film shows that the yellow press and its sensation-hungry reporters made use of the curious fascination of the public world wide with the Nazi past.; as Harald Juhnke's character says to his chief-editor: "(with Hitler) we never had such a famous writer writing in our magazine ever before!".
For Germany the most painful aspect of the film might be the support for the publication from former Nazis represented by a character played by Karl Schönbock (82 years old here!); as a former intimate friend of Hitler he knows that the diaries are forged but gives full support: the end justifies the means. One of the memorable scenes is the arrival of the guests at the rally of former Nazi's and supporters: a memorable image when the guests walk to the house in the rain under their umbrellas illuminated by torches.
The cast is very good, with Götz George and Uwe Ochsenknecht outstanding. Both have scenes that are side splitting funny: George when he for the first time reads from the diaries and Ochsenknecht when he begins to think, talk and look like Hitler.
But as said, the film is too long for its own good. There are more memorable scenes than the those I have mentioned already, but for instance does the viewer really need to see all 60 diaries made? The use of the old song "La Paloma" in the scene on the boat is a nice idea, but it also takes too long. And what to think of the first scene (before and during the credits); it does not add anything to the things to come and is not funny either.
The for this film composed music itself is mediocre, but the use of recordings of Zarah Leander and that of a small yodel-theme are very clever. All in all: unbalanced, at moments very amusing and certainly worth a view.
For Germany the most painful aspect of the film might be the support for the publication from former Nazis represented by a character played by Karl Schönbock (82 years old here!); as a former intimate friend of Hitler he knows that the diaries are forged but gives full support: the end justifies the means. One of the memorable scenes is the arrival of the guests at the rally of former Nazi's and supporters: a memorable image when the guests walk to the house in the rain under their umbrellas illuminated by torches.
The cast is very good, with Götz George and Uwe Ochsenknecht outstanding. Both have scenes that are side splitting funny: George when he for the first time reads from the diaries and Ochsenknecht when he begins to think, talk and look like Hitler.
But as said, the film is too long for its own good. There are more memorable scenes than the those I have mentioned already, but for instance does the viewer really need to see all 60 diaries made? The use of the old song "La Paloma" in the scene on the boat is a nice idea, but it also takes too long. And what to think of the first scene (before and during the credits); it does not add anything to the things to come and is not funny either.
The for this film composed music itself is mediocre, but the use of recordings of Zarah Leander and that of a small yodel-theme are very clever. All in all: unbalanced, at moments very amusing and certainly worth a view.
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Dettagli
Botteghino
- Budget
- 16.000.000 DEM (previsto)
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Proporzioni
- 2.35 : 1
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