VALUTAZIONE IMDb
5,5/10
7560
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champio... Leggi tuttoIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.In the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.
- Premi
- 1 candidatura in totale
Geoffrey Copleston
- Confederation Commissioner
- (as Geoffrey Coplestone)
Trama
Lo sapevi?
- QuizThe screams of the spectators being crushed by the giant robot were later sampled in the song "The Becoming" by Nine Inch Nails.
- BlooperWhen Athena confronts Achilles in his apartment to render him unconscious with an injector, it's all too easy to spot Athena pulling what is clearly a glue gun out of her outfit. This is then "matched" to a much better looking prop injector in an insert - followed by a cut back to the shot with the original glue gun.
- Versioni alternativeSPOILER: MGM's R1 DVD carries the film's original PG rating, but includes instances of violence and gore previously unseen in the U.S. and Canada. After Achilles' robot falls on the spectators, there are more shots of both Gary Graham's bloody face and of the dead bodies in the stands. A news broadcast immediately following now opens with a badly burned man screaming in pain for a couple of seconds. Also, when the traitorous person shoots scientist Matsumoto in the head, blood sprays on the wall behind the latter. In the old version (released theatrically by Epic and on tape and laserdisc by RCA/Columbia), that person pulls the trigger and it instead cuts to a recycled shot of an exploding robot on a video monitor; the bloodstained wall is never shown. The bits in question are included on the Japanese DVD, so apparently American and Canadian audiences are only now getting the cut of the movie that the rest of the world has seen for years. The MPAA database indicates that ROBOT JOX was originally rated PG-13, but trimmed to obtain PG. Evidently Epic felt that children were the movie's only audience, which makes one wonder why they didn't also edit out Anne-Marie Johnson's brief nude scene.
- ConnessioniEdited into Distruzione totale (1990)
Recensione in evidenza
Robot Jox tries hard, but is fundamentally a series of fight scenes strung together -- robot against robot, man against man, man against woman. The premise had potential, but it seems the script wasn't really given the couple of more drafts it needed. Still, it was fairly good, for a science fiction action movie. Part of it was because the script was by Joe Haldeman. For those who aren't familiar with the name, Haldeman wrote the award-winning science fiction novel "The Forever War." It's considered one of the very best powered battle armor novels, right up there with Robert Heinlein's "Starship Troopers" and John Steakley's "Armor." And this movie is really more like a giant powered battle armor movie, rather than giant robots. It's closer to what fans would have wanted instead of the travesty that was Paul Verhoeven's "Starship Troopers," which bore only a passing resemblance to the novel it was based on.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.272.977 USD
- Fine settimana di apertura Stati Uniti e Canada
- 464.441 USD
- 25 nov 1990
- Lordo in tutto il mondo
- 1.272.977 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
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