VALUTAZIONE IMDb
5,4/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOn their 16th anniversary, a married couple's trip to a Beverly Hills mall becomes the stage for personal revelations and deceptions.On their 16th anniversary, a married couple's trip to a Beverly Hills mall becomes the stage for personal revelations and deceptions.On their 16th anniversary, a married couple's trip to a Beverly Hills mall becomes the stage for personal revelations and deceptions.
Trama
Lo sapevi?
- QuizWoody Allen had never set foot in a mall before filming this movie.
- Citazioni
Deborah Fifer: Do you really hate this dress?
Nick Fifer: What I really hate is this jacket, this white jacket. I look like a Brazilian gigolo.
Recensione in evidenza
Some films make the viewer a participant. Others make the viewer, well, a viewer. Others make the viewer a voyeur. SCENES FROM A MALL makes the viewer a third wheel. A very uncomfortable position to be in.
Like in real life, the third wheel is the poor schmuck who innocently accompanies a couple on a date or dinner or whatever and often ends up being less a companion than a witness, or worse, a referee, when a lovers' spat breaks out. In such a situation, all one can do is to keep looking at one's watch, pretend that there is nothing wrong and, above all else, don't get involved.
When it was announced that SCENES FROM A MALL would pair Bette Midler and Woody Allen together as a bickering couple who spend the day at the mall, I couldn't help but smile. Bette and Woody married, what a great idea. They both seem so different, yet so perfect together. And to their credit, they do have great chemistry here. They click. And they are certainly convincing as a couple with a whole boat load of marital issues. Maybe too convincing. What could have been an amusing thread of a story if interwoven into a larger tapestry becomes instead a tiresome ordeal. Woody and Bette argue and bicker and insult and break up and kiss and make up and argue and bicker and insult some more. Their day-long excursion to the mall to do Christmas shopping becomes an extended primal therapy session. Despite the best efforts of the two stars, what begins as an amusing domestic comedy rapidly become just plain annoying.
The fault lies with writer/director Paul Mazursky, whose films -- good, bad or indifferent -- seldom have a strong focus and tend to ramble shamelessly. It is a style of film-making that, in theory, tries to represent realism, but in practice it violates the conventions of what we accept as film reality -- reelity, so to speak. Mazursky's films always tend to look and feel like rehearsals, not a finished production.
This film has it assets. Woody and Bette, of course. And the recreation of a California mall, mostly filmed on a New York soundstage is quite convincing (though how many malls feature ballroom dancing?). SCENES FROM A MALL looks right and is acted just right, but in the end, this trip to the mall wears you out, leaving you just wanting to go home.
Like in real life, the third wheel is the poor schmuck who innocently accompanies a couple on a date or dinner or whatever and often ends up being less a companion than a witness, or worse, a referee, when a lovers' spat breaks out. In such a situation, all one can do is to keep looking at one's watch, pretend that there is nothing wrong and, above all else, don't get involved.
When it was announced that SCENES FROM A MALL would pair Bette Midler and Woody Allen together as a bickering couple who spend the day at the mall, I couldn't help but smile. Bette and Woody married, what a great idea. They both seem so different, yet so perfect together. And to their credit, they do have great chemistry here. They click. And they are certainly convincing as a couple with a whole boat load of marital issues. Maybe too convincing. What could have been an amusing thread of a story if interwoven into a larger tapestry becomes instead a tiresome ordeal. Woody and Bette argue and bicker and insult and break up and kiss and make up and argue and bicker and insult some more. Their day-long excursion to the mall to do Christmas shopping becomes an extended primal therapy session. Despite the best efforts of the two stars, what begins as an amusing domestic comedy rapidly become just plain annoying.
The fault lies with writer/director Paul Mazursky, whose films -- good, bad or indifferent -- seldom have a strong focus and tend to ramble shamelessly. It is a style of film-making that, in theory, tries to represent realism, but in practice it violates the conventions of what we accept as film reality -- reelity, so to speak. Mazursky's films always tend to look and feel like rehearsals, not a finished production.
This film has it assets. Woody and Bette, of course. And the recreation of a California mall, mostly filmed on a New York soundstage is quite convincing (though how many malls feature ballroom dancing?). SCENES FROM A MALL looks right and is acted just right, but in the end, this trip to the mall wears you out, leaving you just wanting to go home.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Scenes from a Mall
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.563.393 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.825.068 USD
- 24 feb 1991
- Lordo in tutto il mondo
- 9.563.393 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Storie di amori e infedeltà (1991) officially released in Canada in English?
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