C'è posta per gli amanti delle commedie! Greg Kinnear (Auto Focus) è il protagonista e Garry Marshall (Pretty Woman) è il regista di questa simpatica commedia in cui un fannullone si trasfor... Leggi tuttoC'è posta per gli amanti delle commedie! Greg Kinnear (Auto Focus) è il protagonista e Garry Marshall (Pretty Woman) è il regista di questa simpatica commedia in cui un fannullone si trasforma da truffatore in benefattore.C'è posta per gli amanti delle commedie! Greg Kinnear (Auto Focus) è il protagonista e Garry Marshall (Pretty Woman) è il regista di questa simpatica commedia in cui un fannullone si trasforma da truffatore in benefattore.
- Premi
- 1 candidatura
- Ramon
- (as Felix A. Pire)
Trama
Lo sapevi?
- QuizGarry Marshall first met Greg Kinnear when he guested on Later with Greg Kinnear (1994). He was impressed by Kinnear's charisma, but did not know if he was an actor. Kinnear's performance in Sabrina (1995) finally convinced Marshall of his skill as an actor, and he earned his first lead role.
- BlooperWhen Tom first reads Marguerite's letter to God, it's says she lives in apartment 2-F at the Normandie Arms. But then when Tom addresses the envelope to Marguerite, he addresses it to apartment 22-F. When Tom arrives at the Normandie Arms to get his money back, Marguerite is speaking to the other renters, she says she lives in 2-A.
- Citazioni
Bodacious TV Anchor: ...this may be the first time that a serial killer has used poison cereal to kill his victims...
- Colonne sonoreStraighten Up and Fly Right
Written by Nat 'King' Cole (as Nat King Cole) & Irving Mills
Performed by Lyle Lovett
Produced by Lyle Lovett & Billy Williams
Lyle Lovett performs courtesy of Curb/MCA Records
Greg Kinnear plays a young slacker who is innocently arrested and sentenced to finding a job--yes, finding a job--by the bad guy from "Total Recall," who doesn't look like he's having a very good time making this movie. Kinnear takes a job at a local post office and gets a spot in the Dead Letter Department, where all the letters to Santa Claus, The Easter Bunny, The Tooth Fairy, and God are sorted and thrown out.
But as Kinnear avoids his odd co-workers, he finds himself wanting to respond to the "Dear God" letters, hence the title of the film--big surprise--"Dear God."
Kinnear's character is extremely obnoxious and annoying. At times the filmmakers want us to feel sorry for the Innocent Young Man Going Through Turbulent Times, but then the character does things that are inexcusibly ignorant and unbiased. For example, take a scene where Kinnear is on trial. We're supposed to feel sorry for him. But the next moment he's up in the judge's face making wise cracks and disobeying all courtroom procedures. This is supposed to amuse the audience. Yeah, right.
The film's jokes are about as tired as every other average comedy out there. Too many scenes do not expand to their full potential, and instead we get scenes like the "Stand behind the yellow line" gag that not only goes on WAYYY too long, but has been done a million times before in a million different films.
The characters are not only weak, but one-dimensional and totally distant: We can't feel for any of them one way or another.
The characters' dialogue is about as stiff and stereotypical as it can get: You feel like the writers were trying to think of corny dialogue. And boy, if that's what they were looking for, they got it right.
"Dear God" had a good premise with promising potential, but due to a half-baked, sentimentally-controlling script, unlikable characters and an awful sense of humor, this film fails miserably at what it promises us.
1.5/5 stars -
John Ulmer
- MovieAddict2016
- 29 mar 2003
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Dettagli
Botteghino
- Budget
- 22.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.138.523 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.213.045 USD
- 3 nov 1996
- Lordo in tutto il mondo
- 7.138.523 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1