Susan Hayward set her standards so high as far as this kind of performance is concerned that every actress who tries her hand at the death row will fatally be compared to her.Robert Wise 's "I want to live" remains vivid in memory .But Sharon Stone walks out with honors.She's a genuine thespian here,giving up glamour,seduction and sophistication ,but not necessarily her basic instincts which led her to the death sentence.She displays restraint in her gestures and her words,her relationship with other inmates rings true,particularly with the black woman.Her interest in art drawing is credible.
Sadly,she's supported neither by the rest of the cast,nor by the plot.Her attentive escort is a rather bland actor,who seems more to go touring round the jail than care for his unfortunate protégée.And what a man!We learn that he is a young man of means whose fortune fluctuates as the years pass by.That's the main flaw:the movie would like to be realistic,it is melodramatic to the core.Outside the lawyer's story,we deal with a black convict,who redeemed himself in jail,who wrote a book,which became a best-seller,and he passed a law degree ,you name it...Alas poor Sharon/Cindy killed a wealthy man's son (and his girlfriend),but she was never given a chance ,being born on the wrong side of town.A glance into her aunt's "house" tells it all.That's too much.
There is a successful short scene.Morrow asks the female victim's mother to sign a petition;and although she's an adept of "thou shalt not kill",she refuses.Hardly one minute,but these few words say a lot more than the preachy chatter of the rest of the plot.But the "false " ending -and there's also a ridiculous Indian epilogue- gives the coup de grâce to the movie.
