La più famosa tragedia di Shakespeare è trasportata in un'ambientazione moderna, mantenendo però il testo originale.La più famosa tragedia di Shakespeare è trasportata in un'ambientazione moderna, mantenendo però il testo originale.La più famosa tragedia di Shakespeare è trasportata in un'ambientazione moderna, mantenendo però il testo originale.
- Candidato a 1 Oscar
- 15 vittorie e 30 candidature totali
Trama
Lo sapevi?
- QuizKey hair stylist Aldo Signoretti was kidnapped by gang members and held for $300 ransom which Baz Luhrmann paid.
- BlooperAt the gas station showdown, a boom mic is reflected in a car window as the camera moves past it.
- Curiosità sui creditiThe film opens and closes with the Chorus, appearing as an anchorwoman on a TV screen, narrating the prologue and the closing lines.
- ConnessioniEdited into Nothing Is Truer Than Truth (2018)
- Colonne sonore#1 Crush
Performed, Written and Produced by Garbage
Garbage appears courtesy of Almo Sounds, Inc./Mushroom Records UK Ltd.
Shirley Manson appears courtesy of Radioactive Records
Recensione in evidenza
Updating the plays of Shakespeare has occupied the minds of many filmmakers, but it is a good idea to try to occupy the minds of the audience as well. Baz Luhrmann's loud, brash and irritating adaptation is possibly the most pathetic attempt at updating the Bard I can remember. How do I hate thee? Let me count the ways...
The basic setting doesn't really work beyond the most surface level, although using a newscaster as a narrator is a good idea. The casting is utterly bizarre, with Danes displaying all the talent of a jar of water, Postlethwaite miscast as a priest, and Margolyes overacting horribly. The decision to make Mercutio a drag queen make so little sense that I wonder if I'm still watching a 16th century play, and the whole enterprise is horrendously overdirected. The cross motif gets so out of hand that by the end we have a gross of them in a single shot, the storm is an unoriginal device, and is badly matted, as are the shots of family names on the tops of buildings.
I can't begin to imagine why so many people like this film, although at least they are getting more out of it then I am. If you want a good Shakespeare update, try Richard III (1995). As for this, I wasted two hours of my life, which I'm not getting back, on a film that disappears up it's own backside faster than a jet-propelled enema.
The basic setting doesn't really work beyond the most surface level, although using a newscaster as a narrator is a good idea. The casting is utterly bizarre, with Danes displaying all the talent of a jar of water, Postlethwaite miscast as a priest, and Margolyes overacting horribly. The decision to make Mercutio a drag queen make so little sense that I wonder if I'm still watching a 16th century play, and the whole enterprise is horrendously overdirected. The cross motif gets so out of hand that by the end we have a gross of them in a single shot, the storm is an unoriginal device, and is badly matted, as are the shots of family names on the tops of buildings.
I can't begin to imagine why so many people like this film, although at least they are getting more out of it then I am. If you want a good Shakespeare update, try Richard III (1995). As for this, I wasted two hours of my life, which I'm not getting back, on a film that disappears up it's own backside faster than a jet-propelled enema.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Romeo + Julieta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 46.351.345 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.133.231 USD
- 3 nov 1996
- Lordo in tutto il mondo
- 147.554.998 USD
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 2.39 : 1
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