200 anni dopo la sua morte, Ellen Ripley viene resuscitata sotto forma di un clone ibrido umano/alieno. Insieme ad un gruppo di pirati spaziali, dovrà nuovamente lottare contro gli alieni ed... Leggi tutto200 anni dopo la sua morte, Ellen Ripley viene resuscitata sotto forma di un clone ibrido umano/alieno. Insieme ad un gruppo di pirati spaziali, dovrà nuovamente lottare contro gli alieni ed impedire loro di raggiungere la Terra.200 anni dopo la sua morte, Ellen Ripley viene resuscitata sotto forma di un clone ibrido umano/alieno. Insieme ad un gruppo di pirati spaziali, dovrà nuovamente lottare contro gli alieni ed impedire loro di raggiungere la Terra.
- Premi
- 7 vittorie e 21 candidature
Trama
Lo sapevi?
- QuizSigourney Weaver originally refused to do a fourth Alien film. When asked why she changed her mind, she replied, "They basically drove a dumptruck full of money to my house".
- Blooper(at around 30 mins) When Ripley drives Call's knife through her own hand, it does not get damaged by the acid in her blood even though it's soaked in it. In other scenes, just a few drops of Ripley's blood burn through thick metal, which would suggest that the knife's blade should also be burnt.
- Curiosità sui creditiMany of the creature-effects, casting, and mold-making crews, some long-standing, heavily contributing members, were omitted from the credits, supposedly due to budget concerns.
- Versioni alternativeThe Indian Censor Board (CBFC)...
- Deleted the scene Heroine operation doing by scientist and removing small species from her worm.
- Deleted the scene Doctor checked a woman and man coming to the room.
- Deleted the scene Bomb blast in space ship.
- Deleted the scene a man are seating on wheel chair and man are talking to woman.
- Deleted the scene five six soldiers are sleeping on stretcher and scientist operating them. There scientists are standing in room in a glass chamber man and species together.
- Deleted the scene man and woman fighting.
- Deleted the scene woman is massage by man.
- Deleted the scene a scientist operating an spices and teasing in
- Deleted the scene two women are discussing.
- Deleted the scene hero and villain are fighting, species are fighting.
- Deleted the scene species are killing a man.
- Deleted the scene soldiers are collecting the weapons.
- Deleted the scene seating on wheelchair man firing on species.
- Deleted the scene species are killing two man. Commander throws hand grenade in space ship and blast ship.
- Deleted the scene a woman are firing on species.
- Deleted the scene heroine firing to glass chambers and kills her friend.
- Deleted the scene heroine and soldiers are coming in the room, all mans are dead.
- Deleted the scene heroine and soldiers are trap to species.
- Deleted the scene species attack on face of the heroine.
- Deleted the scene species attacks on soldier another soldiers fires on species and it.
- Deleted the scene two women are discussing.
- Deleted the scene two women are discussing.
- Deleted the scene two women are discussing.
- Deleted the scene heroine hits to villain.
- Deleted the scene heroine are sleeping on species.
- Deleted the scene heroine and species are together.
- Deleted the scene two mans are walking and man injured by bullet.
- Deleted the scene man are falling down
- Deleted the scene species loving the heroine, born species kills Soldier.
- Deleted the scene species shut the door with women soldier.
- Deleted the scene species attacking women another soldier divert its attention.
- Deleted the scene species killed a man, and try to kill women.
- Deleted the scene heroine attract species and brakes the glass to kill species...
- ConnessioniEdited into 5 Second Movies: Alien Resurrection (2009)
- Colonne sonoreI'm Popeye the Sailor Man
Written by Samuel Lerner (as Sammy Lerner)
Whistled by Dominique Pinon (uncredited)
Recensione in evidenza
Alien:Resurrection divided audiences from the day it got released in theatres. To this day, even many studio execs and producers of the earlier films don't even dare watch this film or even consider it as part of the Alien franchise (so glad the Alien anthology Blu-Ray Boxset includes making-of featurettes for each of the four films - pretty awesome stuff). Among the franchise's fanbase, it's not unanimously appreciated either. I can understand why.
Nonetheless, I still think it deserves to be watched, as despite its weaknesses, Jean-Pierre Jeunet's film offers its share of interesting moments, all wrapped up in a technically-sound package.
Now, for anyone who has seen all four films, it's pretty obvious that each one of them has its own respective flavour, so to speak. Each film comes from a different director (and all four directors are extremely talented guys), and the difference in tone is quite noticeable, as the first film is a true, nightmarish, slow-paced sci-fi horror film ; Aliens is more action-oriented ; Alien 3 is a blend of thriller and horror film. Alien:Resurrection is no rupture to this thread of changing tones, as it has its share of dark humor, it's far more gory and graphic than all the previous installments, and it picks up (only) 200 years after Alien 3, in a spaceship, with our favourite monster-slaying female protagonist, none other than Ellen Ripley. Yes, she died in the third film, but writers have found an unoriginal and somewhat far-fetched way of bringing her back, which surprisingly ends up being perhaps one of the most interesting subplots in the whole movie (and one of the only ones too), as it leads to one pretty haunting scene later at the mid- point of the feature.
The script certainly isn't the film's strongest asset, as it serves no purpose other than getting the spaceship crew to confront the notorious alien creatures through all areas of the spaceship, with plenty of bloody and gooey fun throughout. My synopsis might not do the script justice, as there are a few subplots that I will not spoil, some interesting, some just plain silly. It does borrow elements from the previous films: Ripley develops a relationship with one of the characters that's a bit reminiscent of that she had with Newt in Aliens; there is a lot of action and gun play, just like there was in Aliens; it follows the tradition of featuring a robot character; the crew of the spaceship is composed of a few macho characters that might remind you of those in Alien 3, etc. All these elements are nice inclusions, but have a tribute feel to them more than anything else.
Anyhow, we do get good performances from the likes of Ron Pearlman, Brad Dourif, Wynona Ryder, Dominique Pinon and, of course, Sigourney Weaver.
Directing and cinematography rank among the highlights, along with the tremendous makeup and practical effects. Jean-Pierre Jeunet definitely brings a humorous touch here and there, but it never amounts to any overly distracting silliness. The aesthetics are true to the genre and look better in this film than in any of the previous ones, especially the creatures. They're more fluid in movement, the costumes are very detailed and gorgeously textured, and some of the set-pieces bring the gooey madness to a whole new level. Cinematography has a distinct feel to it, and the work on lighting is somewhat reminiscent of that in La cité des enfants perdus and Delicatessen, two of Jeunet's previous films.
The soundtrack by John Frizzell also works very well, and adds a nightmarishly majestic tone to the film, especially in those moments featuring plenty of organic imagery.
Overall, Alien:Resurrection, despite its fundamental flaw of suffering from a linear and quite predictable script that might borrow too much from the previous outings, is still a welcome (yet maybe unnecessary) addition to the franchise, and a technically competent film which profits greatly from Jean-Pierre Jeunet's approach in visual storytelling. While it is not nearly as good as either one of the first two films, it's still a worthwhile 100 minutes in the Alien universe.
Nonetheless, I still think it deserves to be watched, as despite its weaknesses, Jean-Pierre Jeunet's film offers its share of interesting moments, all wrapped up in a technically-sound package.
Now, for anyone who has seen all four films, it's pretty obvious that each one of them has its own respective flavour, so to speak. Each film comes from a different director (and all four directors are extremely talented guys), and the difference in tone is quite noticeable, as the first film is a true, nightmarish, slow-paced sci-fi horror film ; Aliens is more action-oriented ; Alien 3 is a blend of thriller and horror film. Alien:Resurrection is no rupture to this thread of changing tones, as it has its share of dark humor, it's far more gory and graphic than all the previous installments, and it picks up (only) 200 years after Alien 3, in a spaceship, with our favourite monster-slaying female protagonist, none other than Ellen Ripley. Yes, she died in the third film, but writers have found an unoriginal and somewhat far-fetched way of bringing her back, which surprisingly ends up being perhaps one of the most interesting subplots in the whole movie (and one of the only ones too), as it leads to one pretty haunting scene later at the mid- point of the feature.
The script certainly isn't the film's strongest asset, as it serves no purpose other than getting the spaceship crew to confront the notorious alien creatures through all areas of the spaceship, with plenty of bloody and gooey fun throughout. My synopsis might not do the script justice, as there are a few subplots that I will not spoil, some interesting, some just plain silly. It does borrow elements from the previous films: Ripley develops a relationship with one of the characters that's a bit reminiscent of that she had with Newt in Aliens; there is a lot of action and gun play, just like there was in Aliens; it follows the tradition of featuring a robot character; the crew of the spaceship is composed of a few macho characters that might remind you of those in Alien 3, etc. All these elements are nice inclusions, but have a tribute feel to them more than anything else.
Anyhow, we do get good performances from the likes of Ron Pearlman, Brad Dourif, Wynona Ryder, Dominique Pinon and, of course, Sigourney Weaver.
Directing and cinematography rank among the highlights, along with the tremendous makeup and practical effects. Jean-Pierre Jeunet definitely brings a humorous touch here and there, but it never amounts to any overly distracting silliness. The aesthetics are true to the genre and look better in this film than in any of the previous ones, especially the creatures. They're more fluid in movement, the costumes are very detailed and gorgeously textured, and some of the set-pieces bring the gooey madness to a whole new level. Cinematography has a distinct feel to it, and the work on lighting is somewhat reminiscent of that in La cité des enfants perdus and Delicatessen, two of Jeunet's previous films.
The soundtrack by John Frizzell also works very well, and adds a nightmarishly majestic tone to the film, especially in those moments featuring plenty of organic imagery.
Overall, Alien:Resurrection, despite its fundamental flaw of suffering from a linear and quite predictable script that might borrow too much from the previous outings, is still a welcome (yet maybe unnecessary) addition to the franchise, and a technically competent film which profits greatly from Jean-Pierre Jeunet's approach in visual storytelling. While it is not nearly as good as either one of the first two films, it's still a worthwhile 100 minutes in the Alien universe.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Alien La resurrección
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 75.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 47.795.658 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.474.092 USD
- 30 nov 1997
- Lordo in tutto il mondo
- 161.376.069 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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