Jane Eyre

A beautiful version. Beautiful for inspired traits of Jane Eyre offered by young Laura Harling and by Samantha Morton. For the fair portrait of Mrs Fairfax ( indeed, not the most remarkable , of great Gema Jones ) and for , maybe, the best option for Pilot.

Samantha Morton is Jane Eyre and this is the precious virtue of film. But only phzsical because she seems lost, in few scenes, in the webs of her character. Faithful to novel ? Not exactly , but this is the consequence of too short duration. In compensation, solutions for cover, few new details, a good scene of the room of Bertha Rochester in the moment of revelation.

Ciaran Hinds ? Is he a decent Edward Rochester ? I suppose. He is not the master of Thornfield who I imagine reading the novel. But his effort to create a reasonable Rochester, from nuances of bitterness and forms of cruelty to intensity of love are not so bad and just meritous.

The huge enigma is St. John because the demand of marriage is so hurried, the character becomes so kind, good looking ( more like the Greek god proposed by the lines of novel ), than the refuse of Jane Eyre becomes...absurd.

A beautiful version. This is my opinion, not ignoring the so many expectations about adaptation of a masterpiece .