VALUTAZIONE IMDb
7,4/10
8776
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen Devon, a 10-year-old girl, forges a friendship with Trent, a 21-year-old outsider who mows the neighborhood lawns, things suddenly get very complicated and private.When Devon, a 10-year-old girl, forges a friendship with Trent, a 21-year-old outsider who mows the neighborhood lawns, things suddenly get very complicated and private.When Devon, a 10-year-old girl, forges a friendship with Trent, a 21-year-old outsider who mows the neighborhood lawns, things suddenly get very complicated and private.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 4 candidature
John Bacon
- Neighbor at Barbecue
- (non citato nei titoli originali)
Khris Colgate
- Neighbor at Barbecue
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizRandy Peterson, the stuntman who doubled for Sam Rockwell in the dive off the bridge early in the film, performed the stunt a total of six times - five times completely naked, and once wearing briefs (in case an alternative shot would be needed for a US TV version). The bridge (in Louisville, Kentucky, USA) was 30 feet high and the water around nine feet deep.
- BlooperWhen Devon pours a glass of water for Trent it is less than half full. In the next scene outside it is seen to be more than half full even after splashing it about.
- Versioni alternativeFor showing on US television, all of the profanity was dubbed over with less extreme words, the sex scene between Trent and Pam (at around 20 minutes in) used an alternate take where they are wearing clothes as opposed to them being nude in the original, and the scene where Trent dives off the bridge completely naked (at around 10 minutes in) used an alternate take with him (actually a stunt man) wearing underwear. The alternate takes were filmed with the intention of this being shown on TV in the US. The version streaming on several internet services (Amazon, Tubi, etc.) is this censored TV version.
- ConnessioniReferenced in Jersey Girl (2004)
- Colonne sonoreShake And Shiver
Performed by Jubilee
Courtesy of Silvertone Records, Ltd.
Written by Ross Baxter, Chris Holditch, Garron Firth and Lee Severin (as Baxter/Frith/Holdich/Severin
Used by permission of Zomba Music Publishers Ltd.
Recensione in evidenza
I first saw this film on late night BBC in England and was half watching it while packing for college. By the half way mark, i was sucked in and couldn't not watch.
The first thing that will knock you out is Sam Rockwell. Over the last few years he has risen in fame due to high-profile parts in Charlie's Angels, The Green Mile and Mamet's Heist, but here is the arrival of a veritable acting talent. His is a simple, truthful unshowy performance that resonates throughout the film without crushing it. He is the film's heart, rather than a scene-stealer. As we learn more about his poor, white-trash lawn cutter, we sympathise and begin to realise how easily the reactions of others higher up on the food chain conspire to create chaos for him.
I won't give too much about the story away, because it frequently heads off in new, interesting directions, but essentially this is the story of Devon (newcomer child actor Mischa Barton) and the above mentioned Trent (Rockwell) and their relationship. He is poor, she comes from wealthy stock, but feels out of place in her materialistic world and they are both children of nature. What makes it compelling is that she knows this and revels in it and Trent has to be shown, by her.
John Duigan does a wonderful job of introducing strands and themes which at first seem offbeat and peculiar but which all add to the sense prejudice, division and isolation felt by these two brillaintly-wrought characters. Each find the other intriguing but are hesitant to become close because of others' values. Eventually they become friends and just as they accept this, the world around them turns on them and what started out as an irreverent comedy-drama, turns into something much darker and even terrifying.
Where the film goes from there, I will leave to you to discover. Please do, because this is a very unique film in American independent cinema. Much like the more high-profile American Beauty, what at first seems like character cliche and predictability rapidly leads you down the path least expected. Its beautifully shot, making full use of a handful of gorgeous locations, wonderfully acted, particularly by Barton and Rockwell, but also by the ever-reliably sleazy Christopher Mcdonald (Shooter McGavin in Happy Gilmore and Louise's husband in Thelma & Louise), the quietly strong Kathleen Quinlan and the lesser spotted Bruce McGill in one of his best roles as security guard Nash. The music is also peerless, at first playful and calm, building to a dramatic climax.
That climax is what makes this film stand head and shoulders above the rest. An emotional pay-off such as you have never seen in a film of this ilk. 9/10
The first thing that will knock you out is Sam Rockwell. Over the last few years he has risen in fame due to high-profile parts in Charlie's Angels, The Green Mile and Mamet's Heist, but here is the arrival of a veritable acting talent. His is a simple, truthful unshowy performance that resonates throughout the film without crushing it. He is the film's heart, rather than a scene-stealer. As we learn more about his poor, white-trash lawn cutter, we sympathise and begin to realise how easily the reactions of others higher up on the food chain conspire to create chaos for him.
I won't give too much about the story away, because it frequently heads off in new, interesting directions, but essentially this is the story of Devon (newcomer child actor Mischa Barton) and the above mentioned Trent (Rockwell) and their relationship. He is poor, she comes from wealthy stock, but feels out of place in her materialistic world and they are both children of nature. What makes it compelling is that she knows this and revels in it and Trent has to be shown, by her.
John Duigan does a wonderful job of introducing strands and themes which at first seem offbeat and peculiar but which all add to the sense prejudice, division and isolation felt by these two brillaintly-wrought characters. Each find the other intriguing but are hesitant to become close because of others' values. Eventually they become friends and just as they accept this, the world around them turns on them and what started out as an irreverent comedy-drama, turns into something much darker and even terrifying.
Where the film goes from there, I will leave to you to discover. Please do, because this is a very unique film in American independent cinema. Much like the more high-profile American Beauty, what at first seems like character cliche and predictability rapidly leads you down the path least expected. Its beautifully shot, making full use of a handful of gorgeous locations, wonderfully acted, particularly by Barton and Rockwell, but also by the ever-reliably sleazy Christopher Mcdonald (Shooter McGavin in Happy Gilmore and Louise's husband in Thelma & Louise), the quietly strong Kathleen Quinlan and the lesser spotted Bruce McGill in one of his best roles as security guard Nash. The music is also peerless, at first playful and calm, building to a dramatic climax.
That climax is what makes this film stand head and shoulders above the rest. An emotional pay-off such as you have never seen in a film of this ilk. 9/10
- sackleywhistle
- 24 set 2002
- Permalink
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Dettagli
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 106.404 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.491 USD
- 17 mag 1998
- Lordo in tutto il mondo
- 106.404 USD
- Tempo di esecuzione1 ora 41 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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