Dopo aver deluso suo figlio per l'ennesima volta, un avvocato senza scrupoli scopre di non poter dire bugie per 24 ore per punizione.Dopo aver deluso suo figlio per l'ennesima volta, un avvocato senza scrupoli scopre di non poter dire bugie per 24 ore per punizione.Dopo aver deluso suo figlio per l'ennesima volta, un avvocato senza scrupoli scopre di non poter dire bugie per 24 ore per punizione.
- Premi
- 4 vittorie e 6 candidature totali
Christopher Mayer
- Kenneth Falk
- (as Chip Mayer)
Trama
Lo sapevi?
- QuizAccording to an interview with Jim Carrey, he says that the gag of Fletcher chasing his son as "The Claw" was something Carrey's father did to him and his siblings.
- BlooperIn real life, Judge Stevens would only have the power to issue a contempt ruling against Fletcher when the court is in session. When the court is adjourned, he would not.
- Citazioni
Greta: He knocked over another ATM. This time at knifepoint. He needs your legal advice.
Fletcher Reede: [picking up phone and shouting] Stop breaking the law, asshole!
- Curiosità sui creditiOuttakes are shown during the credits.
- Versioni alternativeRandall 'Tex' Cobb's role ("Skull") was considerably shortened prior to release.
- Originally filmed was a courtroom prologue where Fletcher successfully defends Skull using his usual, less-than-truthful tactics. Remnants of it still remain in the theatrical trailers and in full as a 'Deleted Scene' on the DVD/Blu-ray releases.
- Also filmed was a sequence where Fletcher meets Skull again in jail. That scene was shortened in the final version so much that, despite a prominent billing, Cobb only has one line.
- Colonne sonoreHappy Birthday to You
(uncredited)
Written by Patty S. Hill and Mildred J. Hill
Performed by Jim Carrey and Maura Tierney
Recensione in evidenza
Jim Carrey puts so much energy and pure comedic brilliance into this movie that we hardly noticed how corny and hackneyed was the plot or how wearily didactic was the moral lesson for all fathers who neglect their children for the goddess of success. And really we didn't care. What we loved almost as much as Carrey's rubber mouth and oral blockage (like an overheated boiler fighting not to explode) was the premise: a lawyer that can't lie. Now there's an oxymoron! As Carrey tries to explain to his son Max, lawyers need to lie. Actually he says grownups need to lie, which is a truth that we really do not need to exam too closely here. To laugh at something deeply troubling in our nature is a way of dealing with it.
So the genius of this movie is first the talent of Jim Carrey, but second, for kids who come to the realization of adult mendacity for the first time, it is the discovery of comedy as a way to cope. Why do adults need to lie? is a question that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how important the question once was. Call it innocence lost, or the socialization process.
My favorite part of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the cover of a romance novel and Carrey in tatters in his $900 suit. Second would be the bathroom scene in which Carrey tries to tear himself apart (and seems to almost succeed). His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some funny lines.
The great comedians totally let themselves go. They are totally on. They go to extremes and beyond. It's like transcending not just the ordinary, but even the imagined. See this obviously for Jim Carrey, one of the great comedic talents of our time, an original who would have delighted Charlie Chaplin with his extraordinary muggings, his blatant audacity and his suburb timing.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
So the genius of this movie is first the talent of Jim Carrey, but second, for kids who come to the realization of adult mendacity for the first time, it is the discovery of comedy as a way to cope. Why do adults need to lie? is a question that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how important the question once was. Call it innocence lost, or the socialization process.
My favorite part of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the cover of a romance novel and Carrey in tatters in his $900 suit. Second would be the bathroom scene in which Carrey tries to tear himself apart (and seems to almost succeed). His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some funny lines.
The great comedians totally let themselves go. They are totally on. They go to extremes and beyond. It's like transcending not just the ordinary, but even the imagined. See this obviously for Jim Carrey, one of the great comedic talents of our time, an original who would have delighted Charlie Chaplin with his extraordinary muggings, his blatant audacity and his suburb timing.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
- DennisLittrell
- 19 ott 2002
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mentiroso, mentiroso
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 181.410.615 USD
- Fine settimana di apertura Stati Uniti e Canada
- 31.423.025 USD
- 23 mar 1997
- Lordo in tutto il mondo
- 302.710.615 USD
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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