VALUTAZIONE IMDb
7,3/10
31.262
LA TUA VALUTAZIONE
Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trasco... Leggi tuttoUn giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature
William H. Macy
- William McNeil
- (as Bill Macy)
Alex Bookston
- Alcatraz Doc
- (as Alexander Bookston)
David Michael Sterling
- Inmate Rufus 'Ray' McCain
- (as David Sterling)
Trama
Lo sapevi?
- QuizKevin Bacon lost twenty pounds to play Henri Young.
- BlooperHenry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
- - - - -
- Citazioni
James Stamphill: Did you kill Rufus McCain?
Henri Young: I was the weapon, but I ain't no killer.
- Curiosità sui creditiThis Film is Inspired by a True Story
- ConnessioniFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1995 (1995)
- Colonne sonoreTuxedo Junction
Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne
Performed by The Andrews Sisters
Courtesy of MCA Records
Recensione in evidenza
I had not heard of his movie before. I caught it in mid-broadcast on cable, while channel surfing, eleven years after its release, and after the first few moments, decided to watch it to the end. It is now one of my favorites, right up there with "To Kill a Mockingbird." This film succeeds both as star turns and as an ensemble piece. But more importantly it succeeds in portraying American society in the 1930s as a whole, and involving the audience emotionally in both the the greater social issues as well as the smaller, more tender, personal issues. Despite its sensitivity, it is far from a chick flick. Despite it's theme of violence, it is far from a macho action flick. It is a courtroom thriller based on real events, and it is worth watching more than once.
The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.
Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.
Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.
This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.
In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.
The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.
Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.
Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.
This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.
In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Murder in the First
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 17.381.942 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.719.188 USD
- 22 gen 1995
- Lordo in tutto il mondo
- 17.381.942 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was L'isola dell'ingiustizia - Alcatraz (1995) officially released in India in English?
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