I primi anni del regno della regina Elisabetta I d'Inghilterra e l'arduo compito di districarsi con i requisiti necessari per essere una monarca.I primi anni del regno della regina Elisabetta I d'Inghilterra e l'arduo compito di districarsi con i requisiti necessari per essere una monarca.I primi anni del regno della regina Elisabetta I d'Inghilterra e l'arduo compito di districarsi con i requisiti necessari per essere una monarca.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 35 vittorie e 56 candidature totali
George Antoni
- King Philip II of Spain
- (as George Yiasoumi)
Trama
Lo sapevi?
- Quiz1998 was the only year that two performers were nominated for Academy Awards for playing the same character in two different films: Judi Dench was nominated (and won) for Best Actress in a Supporting Role for playing Queen Elizabeth I in Shakespeare in Love (1998), and Cate Blanchett was nominated for Best Actress for portraying Elizabeth I in this film. Joseph Fiennes and Geoffrey Rush appeared in both films as well.
- BlooperRobert Dudley recites Sir Philip Sidney's sonnet "My true love hath my heart" to Elizabeth in a boat. This sonnet was not written until at least 1580, about 20 years after the time the movie is set, and wasn't published until 1593.
- ConnessioniEdited into Elizabeth: The Golden Age (2007)
- Colonne sonoreTe Deum
Composed by Thomas Tallis
Performed by St. John's College Choir, Cambridge
Conducted by George Guest
Recensione in evidenza
It's painful to watch this movie, because the overpowering beauty of the locations, the cinematography, and the cast (mainly Cate Blanchett) is used in the service of an almost unbelievably shallow, smug, and cynical reading of English history.
Other reviewers have already done a superb job of pointing out the factual inaccuracies of the film's portrayal of Elizabeth and her advisors. What I'd like to comment on is the overriding theme. This is not a feminist movie. This is a pseudo-feminist movie. In order to make Elizabeth strong, the men have to be presented as weak, duplicitous, or stupid -- or sometimes all three at once! Cynically, the film makers seem to assume that the only way to make Elizabeth look strong is to surround her with weak, morally repellent men. Or perhaps they think that the mere presence of a strong woman automatically emasculates men.
In actual fact, of course, the remarkable thing about Elizabeth's reign is that she brought out the best in the men who served her. She was in fact an inspiring figure. None of this comes through in the movie. Weak men fail her, and strong men are simply destroyed by her. Whose fantasy is this, anyway?
Related to this is the problem of patriotism. Elizabeth's ruthlessness and determination are presented cynically in the film as a matter of strict self-preservation. In actual fact, Elizabeth was beloved by her people precisely because she loved England much more than her own security or safety. Moreover, her ability to take risks and defy France and Spain stemmed from her intuitive knowledge of the strength of the English people. She trusted them, and they trusted her. None of that comes across here. To put it another way, Elizabeth in real life was a master politician who enjoyed interacting with her subjects and was always able to communicate with them. But in this movie there is not one single crowd scene, not one single time when Elizabeth seems interested in, let alone guided by, the hopes and fears of the English common people.
This movie assumes that to a modern audience, "patriotism" is a dirty word. As a result it entirely misses the point of Elizabeth's life, and fails to understand either her motivations or the underpinnings of her success. Cynicism without insight, spectacle without grandeur, passion without emotion . . . this is the most shallow masterpiece ever made.
Cate Blanchett deserved better, and so did Elizabeth.
Other reviewers have already done a superb job of pointing out the factual inaccuracies of the film's portrayal of Elizabeth and her advisors. What I'd like to comment on is the overriding theme. This is not a feminist movie. This is a pseudo-feminist movie. In order to make Elizabeth strong, the men have to be presented as weak, duplicitous, or stupid -- or sometimes all three at once! Cynically, the film makers seem to assume that the only way to make Elizabeth look strong is to surround her with weak, morally repellent men. Or perhaps they think that the mere presence of a strong woman automatically emasculates men.
In actual fact, of course, the remarkable thing about Elizabeth's reign is that she brought out the best in the men who served her. She was in fact an inspiring figure. None of this comes through in the movie. Weak men fail her, and strong men are simply destroyed by her. Whose fantasy is this, anyway?
Related to this is the problem of patriotism. Elizabeth's ruthlessness and determination are presented cynically in the film as a matter of strict self-preservation. In actual fact, Elizabeth was beloved by her people precisely because she loved England much more than her own security or safety. Moreover, her ability to take risks and defy France and Spain stemmed from her intuitive knowledge of the strength of the English people. She trusted them, and they trusted her. None of that comes across here. To put it another way, Elizabeth in real life was a master politician who enjoyed interacting with her subjects and was always able to communicate with them. But in this movie there is not one single crowd scene, not one single time when Elizabeth seems interested in, let alone guided by, the hopes and fears of the English common people.
This movie assumes that to a modern audience, "patriotism" is a dirty word. As a result it entirely misses the point of Elizabeth's life, and fails to understand either her motivations or the underpinnings of her success. Cynicism without insight, spectacle without grandeur, passion without emotion . . . this is the most shallow masterpiece ever made.
Cate Blanchett deserved better, and so did Elizabeth.
- Dan1863Sickles
- 23 mar 2004
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Elizabeth, la Reina Virgen
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.082.699 USD
- Fine settimana di apertura Stati Uniti e Canada
- 275.131 USD
- 8 nov 1998
- Lordo in tutto il mondo
- 82.150.642 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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