Aggiungi una trama nella tua linguaA New York photographer takes photos of various tenants in a posh apartment building while waiting for a nude pin-up model to show up for him at his studio.A New York photographer takes photos of various tenants in a posh apartment building while waiting for a nude pin-up model to show up for him at his studio.A New York photographer takes photos of various tenants in a posh apartment building while waiting for a nude pin-up model to show up for him at his studio.
- Regia
- Sceneggiatura
- Star
Michael Lee Baron
- The Photographer
- (as Michael Barron)
Alice Denham
- Woman in white corset
- (as Alice Stabb)
Audrey Campbell
- Woman brushing hair
- (non citato nei titoli originali)
Monica Davis
- (Woman who buys new clothes)
- (non citato nei titoli originali)
Byron Mabe
- Man running around building
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizShe Should Have Stayed in Bed had censorship problems in New York and was withheld from theatrical release. At the time, nudity was allowed in films if it is shown in the context of normal everyday activities. The plot of She Should Have Stayed in Bed focused on the activities of a voyeuristic photographer who sometimes took candid photos of nude women in their apartments. The New York censorship board rejected this film because this type of Peeping Tom activities are not part of normal everyday life.
- ConnessioniEdited into Twisted Sex Vol. 17 (1998)
Recensione in evidenza
The MST3K guys have nothing on Barry Mahon, who energetically embeds voice-over criticism of his own film in SHE SHOULD HAVE STAYED IN BED. Had I been old enough to attend Adult Cinemas in 1963, I probably would have enjoyed this nonsense, given the bevy of beauties going topless here.
Assistant director Sande Johnsen (a talented pornographer in his own right) is credited in voice-over as delivering the verbal barrage making fun of what we're watching. Mahon's better half Clelle is credited with "script" at the opening, but I suspect that means she was the script girl, as usual, though both IMDb and the Something Weird goof-ball shill give her authorship honors (not much of an honor).
Main gimmick is a guy (credited as "Mike Baron") chasing a pretty (fully clothed) girl down corridors for over an hour, as we see gals in various apartments disrobing or posing for still photo sessions. They're all glamor models, and the nonstop array of varied bare breasts has to be considered satisfying by 1963 standards. Attempts at comedy, notably a gag of a guy haplessly trying to deliver a wedding cake with slapstick results, all fall flat.
Highlight is clearly a pointless but arousing doling out of footage of Audrey Campbell endlessly combing her long, lovely hair, sprawled topless (her nipples jutting out) on a couch. Perhaps this served as audition footage for landing her the historic role of Olga in the definitive '60s S&M series of films.
Only other familiar femme is the beauteous Gigi Darlene, wasted in a brief scene with another girl trying on lingerie, with no implication of lesbian attraction included.
Assistant director Sande Johnsen (a talented pornographer in his own right) is credited in voice-over as delivering the verbal barrage making fun of what we're watching. Mahon's better half Clelle is credited with "script" at the opening, but I suspect that means she was the script girl, as usual, though both IMDb and the Something Weird goof-ball shill give her authorship honors (not much of an honor).
Main gimmick is a guy (credited as "Mike Baron") chasing a pretty (fully clothed) girl down corridors for over an hour, as we see gals in various apartments disrobing or posing for still photo sessions. They're all glamor models, and the nonstop array of varied bare breasts has to be considered satisfying by 1963 standards. Attempts at comedy, notably a gag of a guy haplessly trying to deliver a wedding cake with slapstick results, all fall flat.
Highlight is clearly a pointless but arousing doling out of footage of Audrey Campbell endlessly combing her long, lovely hair, sprawled topless (her nipples jutting out) on a couch. Perhaps this served as audition footage for landing her the historic role of Olga in the definitive '60s S&M series of films.
Only other familiar femme is the beauteous Gigi Darlene, wasted in a brief scene with another girl trying on lingerie, with no implication of lesbian attraction included.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- She Didn't Stay in Bed
- Luoghi delle riprese
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 5 minuti
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Divario superiore
By what name was She Should Have Stayed in Bed (1963) officially released in Canada in English?
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